東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Ninth art = Bande dessinée, books a...

Lesage, Sylvain.

Linked to FindBook

Google Book

Amazon

博客來

Ninth art = Bande dessinée, books and the gentrification of mass culture, 1964-1975 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Ninth art/ by Sylvain Lesage.
Reminder of title:	Bande dessinée, books and the gentrification of mass culture, 1964-1975 /
Author:	Lesage, Sylvain.
Published:	Cham :Springer International Publishing : : 2023.,
Description:	xv, 201 p. :ill. (some col.), digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Barbarella: Inventing comics for adults (1964-1968) -- 3. Flash Gordon and the transatlantic construction of a ninth art heritage (1968) -- 4. Astérix and the million-copies comics industry (1966) -- 5. Sharks, pirates, and ghosts. Authorship and the challenge of transmedia storytelling (Tintin et le lac aux requins, 1973) -- 6. Alternative comics publishing: Futuropolis and the artification of comics publishing -- 7. The author as publisher: Claire Bretécher, Les Frustrés, 1975 -- 8. Casterman and the birth of the French-language graphic novel -- 9. Conclusion.
Contained By:	Springer Nature eBook
Subject:	Comic books, strips, etc. - France. -
Online resource:	https://doi.org/10.1007/978-3-031-17001-0
ISBN:	9783031170010

Ninth art = Bande dessinée, books and the gentrification of mass culture, 1964-1975 /
Lesage, Sylvain.

Ninth artBande dessinée, books and the gentrification of mass culture, 1964-1975 /[electronic resource] :by Sylvain Lesage. - Cham :Springer International Publishing :2023. - xv, 201 p. :ill. (some col.), digital ;24 cm. - Palgrave studies in comics and graphic novels,2634-6389. - Palgrave studies in comics and graphic novels..

1. Introduction -- 2. Barbarella: Inventing comics for adults (1964-1968) -- 3. Flash Gordon and the transatlantic construction of a ninth art heritage (1968) -- 4. Astérix and the million-copies comics industry (1966) -- 5. Sharks, pirates, and ghosts. Authorship and the challenge of transmedia storytelling (Tintin et le lac aux requins, 1973) -- 6. Alternative comics publishing: Futuropolis and the artification of comics publishing -- 7. The author as publisher: Claire Bretécher, Les Frustrés, 1975 -- 8. Casterman and the birth of the French-language graphic novel -- 9. Conclusion.

In France, comics are commonly referred to as the "ninth art". What does it mean to see comics as art? This book looks at the singular status of comics in the French cultural landscape. Bandes dessinées have long been published in French newspapers and magazines. In the early 1960s, a new standard format emerged: large hardback books, called albums. Albums played a key role in the emergence of the ninth art and its acceptance among other forms of literary narrative. From Barbarella in 1964 to La Ballade de la mer salée in 1975, from Astérix and its million copies to Tintin and its screen versions, within the space of just a few years the comics landscape underwent a deep transformation. The album opened up new ways of creating, distributing, and reading bandes dessinées. This shift upended the market, transformed readership, initiated new transmedia adaptations, generated critical discourse, and gave birth to new kinds of comics fandom. These transformations are analysed through a series of case studies, each focusing on a noteworthy album. By retracing the publishing and critical history of these classic bandes dessinées, this book questions the blind spots of a canon based on the album format and uncovers the legitimisation processes that turned bande dessinée into the ninth art.

ISBN: 9783031170010

Standard No.: 10.1007/978-3-031-17001-0doiSubjects--Topical Terms:

542331
Comic books, strips, etc.
--France.

LC Class. No.: PN6745

Dewey Class. No.: 741.5944

Ninth art = Bande dessinée, books and the gentrification of mass culture, 1964-1975 /
LDR:03064nmm a2200361 a 4500 001 2315041
003 DE-He213
005 20221231114647.0
006 m d
007 cr nn 008mamaa
008 230902s2023 sz s 0 eng d
020 $a 9783031170010 $q (electronic bk.)
020 $a 9783031170003 $q (paper)
024 7 $a 10.1007/978-3-031-17001-0 $2 doi
035 $a 978-3-031-17001-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PN6745
072 7 $a JFD $2 bicssc
072 7 $a FX $2 bicssc
072 7 $a CGN000000 $2 bisacsh
072 7 $a JBCT $2 thema
072 7 $a X $2 thema
082 0 4 $a 741.5944 $2 23
090 $a PN6745 $b .L622 2023
100 1 $a Lesage, Sylvain. $3 3627101
245 1 0 $a Ninth art $h [electronic resource] : $b Bande dessinée, books and the gentrification of mass culture, 1964-1975 / $c by Sylvain Lesage.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a xv, 201 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Palgrave studies in comics and graphic novels, $x 2634-6389
505 0 $a 1. Introduction -- 2. Barbarella: Inventing comics for adults (1964-1968) -- 3. Flash Gordon and the transatlantic construction of a ninth art heritage (1968) -- 4. Astérix and the million-copies comics industry (1966) -- 5. Sharks, pirates, and ghosts. Authorship and the challenge of transmedia storytelling (Tintin et le lac aux requins, 1973) -- 6. Alternative comics publishing: Futuropolis and the artification of comics publishing -- 7. The author as publisher: Claire Bretécher, Les Frustrés, 1975 -- 8. Casterman and the birth of the French-language graphic novel -- 9. Conclusion.
520 $a In France, comics are commonly referred to as the "ninth art". What does it mean to see comics as art? This book looks at the singular status of comics in the French cultural landscape. Bandes dessinées have long been published in French newspapers and magazines. In the early 1960s, a new standard format emerged: large hardback books, called albums. Albums played a key role in the emergence of the ninth art and its acceptance among other forms of literary narrative. From Barbarella in 1964 to La Ballade de la mer salée in 1975, from Astérix and its million copies to Tintin and its screen versions, within the space of just a few years the comics landscape underwent a deep transformation. The album opened up new ways of creating, distributing, and reading bandes dessinées. This shift upended the market, transformed readership, initiated new transmedia adaptations, generated critical discourse, and gave birth to new kinds of comics fandom. These transformations are analysed through a series of case studies, each focusing on a noteworthy album. By retracing the publishing and critical history of these classic bandes dessinées, this book questions the blind spots of a canon based on the album format and uncovers the legitimisation processes that turned bande dessinée into the ninth art.
650 0 $a Comic books, strips, etc. $x France. $3 542331
650 0 $a Comic books, strips, etc. $z France $x History and criticism. $3 997956
650 1 4 $a Comics Studies. $3 3447582
650 2 4 $a Popular Culture. $3 3201027
650 2 4 $a European Literature. $3 2182348
650 2 4 $a Visual Culture. $3 3593302
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in comics and graphic novels. $3 2191765
856 4 0 $u https://doi.org/10.1007/978-3-031-17001-0
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)