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Reading the eighteenth-century novel

Richter, David H., (1945-)

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Reading the eighteenth-century novel

Record Type:	Electronic resources : Monograph/item
Title/Author:	Reading the eighteenth-century novel/ David H. Richter.
Author:	Richter, David H.,
Published:	Hoboken, NJ :Wiley-Blackwell, : 2017.,
Description:	1 online resource.
Subject:	English fiction - History and criticism. - 18th century -
Online resource:	https://onlinelibrary.wiley.com/doi/book/10.1002/9781118621097
ISBN:	9781118621097

Reading the eighteenth-century novel
Richter, David H.,1945-

Reading the eighteenth-century novel[electronic resource] /David H. Richter. - Hoboken, NJ :Wiley-Blackwell,2017. - 1 online resource. - Reading the novel. - Reading the novel..

Includes bibliographical references and index.

"This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the Restoration of King Charles II in 1660 and ends around 1830, before the reign of Queen Victoria. At the beginning of this period, the novel can hardly be said to exist, and writing prose fiction is a mildly disreputable literary activity. Around 1720, Daniel Defoe's fictional autobiographies spark continuations and imitations, and in the 1740s, with Samuel Richardson and Henry Fielding's novels begin what is perceived as "a new kind of writing." By the end of the period, with Jane Austen and Walter Scott, the novel has not only come into existence, it has developed into a more-or-less respectable genre, and in fact publishers have begun to issue series of novels (edited by Walter Scott and by Anna Barbauld, among others) that establish for that time, if not necessarily for ours, a canon of the English novel. With the decline of the English drama and the almost complete eclipse of the epic, the novel has become by default the serious literary long form, on its way to becoming by the mid-nineteenth century, with Dickens, Thackeray, and Eliot, the pre-eminent genre of literature. This chapter will consider how and why the novel came to be when it did"--

ISBN: 9781118621097Subjects--Topical Terms:

541511
English fiction
--History and criticism.--18th century

LC Class. No.: PR851

Dewey Class. No.: 823/.509

Reading the eighteenth-century novel
LDR:02565cmm a2200337 a 4500 001 2311427
003 OCoLC
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006 m o d
007 cr cnu---unuuu
008 230722s2017 nju ob 001 0 eng
020 $a 9781118621097 $q (electronic bk.)
020 $a 1118621093 $q (electronic bk.)
020 $a 9781118621110 $q (epub)
020 $a 1118621115 $q (epub)
020 $a 9781118621134 $q (pdf)
020 $a 1118621131 $q (pdf)
020 $z 9781118621141 $q (hardback)
035 $a 968151937
040 $a DLC $b eng $c DLC $d OCLCF $d IDEBK $d N $d DG1 $d EBLCP $d YDX $d COO $d MERUC $d OTZ $d OCLCQ $d OCLCO $d OCLCQ $d NLE $d OCLCQ $d IDB
041 0 $a eng
043 $a e-uk---
050 0 0 $a PR851
082 0 0 $a 823/.509 $2 23
100 1 $a Richter, David H., $d 1945- $3 2051363
245 1 0 $a Reading the eighteenth-century novel $h [electronic resource] / $c David H. Richter.
260 $a Hoboken, NJ : $b Wiley-Blackwell, $c 2017.
300 $a 1 online resource.
490 1 $a Reading the novel
504 $a Includes bibliographical references and index.
520 $a "This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the Restoration of King Charles II in 1660 and ends around 1830, before the reign of Queen Victoria. At the beginning of this period, the novel can hardly be said to exist, and writing prose fiction is a mildly disreputable literary activity. Around 1720, Daniel Defoe's fictional autobiographies spark continuations and imitations, and in the 1740s, with Samuel Richardson and Henry Fielding's novels begin what is perceived as "a new kind of writing." By the end of the period, with Jane Austen and Walter Scott, the novel has not only come into existence, it has developed into a more-or-less respectable genre, and in fact publishers have begun to issue series of novels (edited by Walter Scott and by Anna Barbauld, among others) that establish for that time, if not necessarily for ours, a canon of the English novel. With the decline of the English drama and the almost complete eclipse of the epic, the novel has become by default the serious literary long form, on its way to becoming by the mid-nineteenth century, with Dickens, Thackeray, and Eliot, the pre-eminent genre of literature. This chapter will consider how and why the novel came to be when it did"-- $c Provided by publisher.
588 $a Description based on print version record.
650 0 $a English fiction $y 18th century $x History and criticism. $3 541511
650 0 $a Books and reading $z Great Britain $x History $y 18th century. $3 791772
830 0 $a Reading the novel. $3 1966930
856 4 0 $u https://onlinelibrary.wiley.com/doi/book/10.1002/9781118621097