東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The bebop scene in London's Soho, 19...

Kinsella, Ray.

Linked to FindBook

Google Book

Amazon

博客來

The bebop scene in London's Soho, 1945-1950 = post-war Britain's first youth subculture /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The bebop scene in London's Soho, 1945-1950/ by Ray Kinsella.
Reminder of title:	post-war Britain's first youth subculture /
Author:	Kinsella, Ray.
Published:	Cham :Springer International Publishing : : 2022.,
Description:	xv, 275 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Contextualizing Soho, 1800-1945 -- 3. Bebop Music and the Soho Clubs -- 4. Men's and Women's Sartorial Style in the Clubs: The Bebop Look -- 5. The Police Raids on the Soho Bebop Clubs, 1947-1950 -- 6. Soho After the Raids -- 7. Is This a Subculture? -- 8. Conclusion.
Contained By:	Springer Nature eBook
Subject:	Jazz - 1941-1950. - England -
Online resource:	https://doi.org/10.1007/978-3-031-05555-3
ISBN:	9783031055553

The bebop scene in London's Soho, 1945-1950 = post-war Britain's first youth subculture /
Kinsella, Ray.

The bebop scene in London's Soho, 1945-1950post-war Britain's first youth subculture /[electronic resource] :by Ray Kinsella. - Cham :Springer International Publishing :2022. - xv, 275 p. :ill., digital ;24 cm. - Palgrave studies in the history of subcultures and popular music,2730-9525. - Palgrave studies in the history of subcultures and popular music..

1. Introduction -- 2. Contextualizing Soho, 1800-1945 -- 3. Bebop Music and the Soho Clubs -- 4. Men's and Women's Sartorial Style in the Clubs: The Bebop Look -- 5. The Police Raids on the Soho Bebop Clubs, 1947-1950 -- 6. Soho After the Raids -- 7. Is This a Subculture? -- 8. Conclusion.

'This book draws upon a superb range of primary sources, from oral history interviews and press accounts to examples of zoot suits. Ray Kinsella offers rich, vivid insights into the emergence of a subculture in postwar Soho that was firmly rooted in the Black Atlantic, and which also has much to contribute to understandings of migration, movement and cultural hybridity.' - Kate Bradley, University of Kent, UK. This is the first book to tell the story of the bebop subculture in London's Soho, a subculture that emerged in 1945 and reached its pinnacle in 1950. In an exploration via the intersections of race, class and gender, it shows how bebop identities were constructed and articulated. Combining a wide range of archival research and theory, the book evocatively demonstrates how the scene evolved in Soho's clubs, the fashion that formed around the music, drug usage amongst a contingent of the group, and the moral panic which led to the police raids on the clubs between 1947 and 1950. Thereafter it maps the changes in popular culture in Soho during the 1950s, and argues that the bebop story is an important precedent to the institutional harassment of black-related spaces and culture that continued in the twentieth and twenty-first centuries. This book therefore rewrites the first chapter of the 'classic' subcultural canon, and resets the subcultural clock; requiring us to rethink the periodization and social make-up of British post-war youth subcultures. Ray Kinsella is a writer and part-time Lecturer in Cultural Studies at the University of the Arts London, UK.

ISBN: 9783031055553

Standard No.: 10.1007/978-3-031-05555-3doiSubjects--Topical Terms:

3609158
Jazz
--England--1941-1950.

LC Class. No.: ML3509.E58 / L6 2022

Dewey Class. No.: 781.655

The bebop scene in London's Soho, 1945-1950 = post-war Britain's first youth subculture /
LDR:03006nmm a2200337 a 4500 001 2305755
003 DE-He213
005 20221123003749.0
006 m d
007 cr nn 008maaau
008 230409s2022 sz s 0 eng d
020 $a 9783031055553 $q (electronic bk.)
020 $a 9783031055546 $q (paper)
024 7 $a 10.1007/978-3-031-05555-3 $2 doi
035 $a 978-3-031-05555-3
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3509.E58 $b L6 2022
072 7 $a HBJD1 $2 bicssc
072 7 $a HIS015000 $2 bisacsh
072 7 $a NHD $x 1DD $2 thema
082 0 4 $a 781.655 $2 23
090 $a ML3509.E58 $b K56 2022
100 1 $a Kinsella, Ray. $3 654863
245 1 4 $a The bebop scene in London's Soho, 1945-1950 $h [electronic resource] : $b post-war Britain's first youth subculture / $c by Ray Kinsella.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xv, 275 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in the history of subcultures and popular music, $x 2730-9525
505 0 $a 1. Introduction -- 2. Contextualizing Soho, 1800-1945 -- 3. Bebop Music and the Soho Clubs -- 4. Men's and Women's Sartorial Style in the Clubs: The Bebop Look -- 5. The Police Raids on the Soho Bebop Clubs, 1947-1950 -- 6. Soho After the Raids -- 7. Is This a Subculture? -- 8. Conclusion.
520 $a 'This book draws upon a superb range of primary sources, from oral history interviews and press accounts to examples of zoot suits. Ray Kinsella offers rich, vivid insights into the emergence of a subculture in postwar Soho that was firmly rooted in the Black Atlantic, and which also has much to contribute to understandings of migration, movement and cultural hybridity.' - Kate Bradley, University of Kent, UK. This is the first book to tell the story of the bebop subculture in London's Soho, a subculture that emerged in 1945 and reached its pinnacle in 1950. In an exploration via the intersections of race, class and gender, it shows how bebop identities were constructed and articulated. Combining a wide range of archival research and theory, the book evocatively demonstrates how the scene evolved in Soho's clubs, the fashion that formed around the music, drug usage amongst a contingent of the group, and the moral panic which led to the police raids on the clubs between 1947 and 1950. Thereafter it maps the changes in popular culture in Soho during the 1950s, and argues that the bebop story is an important precedent to the institutional harassment of black-related spaces and culture that continued in the twentieth and twenty-first centuries. This book therefore rewrites the first chapter of the 'classic' subcultural canon, and resets the subcultural clock; requiring us to rethink the periodization and social make-up of British post-war youth subcultures. Ray Kinsella is a writer and part-time Lecturer in Cultural Studies at the University of the Arts London, UK.
650 0 $a Jazz $z England $z London $y 1941-1950. $3 3609158
650 0 $a Bop (Music) $z England $z London. $3 3609159
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in the history of subcultures and popular music. $3 2210184
856 4 0 $u https://doi.org/10.1007/978-3-031-05555-3
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)