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The economies of serious and popular...

Abbing, Hans.

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The economies of serious and popular art = how they diverged and reunited /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The economies of serious and popular art/ by Hans Abbing.
Reminder of title:	how they diverged and reunited /
Author:	Abbing, Hans.
Published:	Cham :Springer Nature Switzerland : : 2022.,
Description:	xiii, 345 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion -- Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Present and Future Changes -- Chapter 8: Conclusion.
Contained By:	Springer Nature eBook
Subject:	Art - Economic aspects. -
Online resource:	https://doi.org/10.1007/978-3-031-18648-6
ISBN:	9783031186486

The economies of serious and popular art = how they diverged and reunited /
Abbing, Hans.

The economies of serious and popular arthow they diverged and reunited /[electronic resource] :by Hans Abbing. - Cham :Springer Nature Switzerland :2022. - xiii, 345 p. :ill., digital ;24 cm. - Cultural economics & the creative economy,2662-4486. - Cultural economics & the creative economy..

Chapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion -- Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Present and Future Changes -- Chapter 8: Conclusion.

Combining an economic perspective with sociological and historic insights, this book investigates the separation of 'popular' and 'serious' art over a period of almost two centuries. As the boundaries between our perceptions of established art and popular become more porous, Abbing considers questions such as: Who benefitted from the separation? Why is exclusivity in the established arts so important? Did exclusivity lead to high cost, high subsidies and high prices? Were and are underprivileged groups excluded from art consumption and production? How did popular music become so successful in the second half of the twentieth century? Why does the art profession remain extraordinarily attractive for youngsters in spite of low incomes? The book also discusses the evolution of art in the twenty-first century, considering for example how the platform economy affects the arts, whether or not the established arts are joining the entertainment industry, and the current level of diversity in art. Written from the dual perspective of the author as an artist and social scientist, the book will be of interest for cultural economists and academics as well as artists and general readers interested in art. Hans Abbing is a visual artist and economist. He is also Emeritus Professor in Art Sociology at the University of Amsterdam, the Netherlands, and teaches MA Cultural Economics and Cultural Entrepreneurship at the Erasmus University of Rotterdam, the Netherlands. He previously published The Changing Social Economy of Art and Why Are Artists Poor?

ISBN: 9783031186486

Standard No.: 10.1007/978-3-031-18648-6doiSubjects--Topical Terms:

551675
Art
--Economic aspects.

LC Class. No.: N8600

Dewey Class. No.: 338.477

The economies of serious and popular art = how they diverged and reunited /
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