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David Bowie and romanticism

Rovira, James.

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David Bowie and romanticism

Record Type:	Electronic resources : Monograph/item
Title/Author:	David Bowie and romanticism/ edited by James Rovira.
other author:	Rovira, James.
Published:	Cham :Springer International Publishing : : 2022.,
Description:	xiii, 298 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: David Bowie and Romanticism -- 2. David Bowie and Romantic Androgyny -- 3. Negative Capability in Space: The Romantic Bowieverse -- 4. Drug Use and Drug Literature from the Eighteenth Century to David Bowie -- 5. Capitalist Co-optation, Romantic Resistance, and Bowie's Allegorical Performance in Nicolas Roeg's The Man Who Fell to Earth -- 6. Too Late to Be Late Again: David Bowie, the Late 1970s, and Romanticism -- 7. Relics of The Future: The Melancholic Romanticism of Bowie's Berlin Triptych -- 8. "Rebel Rebel": Bowie as Romantic "Type". - 9. The Goblin King, Absurdity, and Nonbinary Thinking -- 10. 1. Outside as Bowie's Gothic Technodrama: Fascism and the Irrational Near the Turn of the Millennia -- 11. "Blackstar": David Bowie's Twenty-First-Century Ars Moriendi.
Contained By:	Springer Nature eBook
Subject:	Romanticism - History and criticism. -
Online resource:	https://doi.org/10.1007/978-3-030-97622-4
ISBN:	9783030976224

David Bowie and romanticism
David Bowie and romanticism[electronic resource] /edited by James Rovira. - Cham :Springer International Publishing :2022. - xiii, 298 p. :ill., digital ;24 cm. - Palgrave studies in music and literature,2946-5141. - Palgrave studies in music and literature..

1. Introduction: David Bowie and Romanticism -- 2. David Bowie and Romantic Androgyny -- 3. Negative Capability in Space: The Romantic Bowieverse -- 4. Drug Use and Drug Literature from the Eighteenth Century to David Bowie -- 5. Capitalist Co-optation, Romantic Resistance, and Bowie's Allegorical Performance in Nicolas Roeg's The Man Who Fell to Earth -- 6. Too Late to Be Late Again: David Bowie, the Late 1970s, and Romanticism -- 7. Relics of The Future: The Melancholic Romanticism of Bowie's Berlin Triptych -- 8. "Rebel Rebel": Bowie as Romantic "Type". - 9. The Goblin King, Absurdity, and Nonbinary Thinking -- 10. 1. Outside as Bowie's Gothic Technodrama: Fascism and the Irrational Near the Turn of the Millennia -- 11. "Blackstar": David Bowie's Twenty-First-Century Ars Moriendi.

David Bowie and Romanticism evaluates Bowie's music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie's music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie's oeuvre and periods of his career. The chapters discuss key themes in Bowie's work and analyze what Bowie has to teach us about Romantic art and literature as well.

ISBN: 9783030976224

Standard No.: 10.1007/978-3-030-97622-4doiSubjects--Personal Names:

1010393
Bowie, David
--Criticism and interpretation.Subjects--Topical Terms:

3604654
Romanticism
--History and criticism.

LC Class. No.: ML420.B754

Dewey Class. No.: 782.42166092

David Bowie and romanticism
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505 0 $a 1. Introduction: David Bowie and Romanticism -- 2. David Bowie and Romantic Androgyny -- 3. Negative Capability in Space: The Romantic Bowieverse -- 4. Drug Use and Drug Literature from the Eighteenth Century to David Bowie -- 5. Capitalist Co-optation, Romantic Resistance, and Bowie's Allegorical Performance in Nicolas Roeg's The Man Who Fell to Earth -- 6. Too Late to Be Late Again: David Bowie, the Late 1970s, and Romanticism -- 7. Relics of The Future: The Melancholic Romanticism of Bowie's Berlin Triptych -- 8. "Rebel Rebel": Bowie as Romantic "Type". - 9. The Goblin King, Absurdity, and Nonbinary Thinking -- 10. 1. Outside as Bowie's Gothic Technodrama: Fascism and the Irrational Near the Turn of the Millennia -- 11. "Blackstar": David Bowie's Twenty-First-Century Ars Moriendi.
520 $a David Bowie and Romanticism evaluates Bowie's music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie's music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie's oeuvre and periods of his career. The chapters discuss key themes in Bowie's work and analyze what Bowie has to teach us about Romantic art and literature as well.
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