東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Body, gender, and sexuality in Latin...

Kroll, Juli A.

Linked to FindBook

Google Book

Amazon

博客來

Body, gender, and sexuality in Latin American cinema = insurgent skin /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Body, gender, and sexuality in Latin American cinema/ by Juli A. Kroll.
Reminder of title:	insurgent skin /
Author:	Kroll, Juli A.
Published:	Cham :Springer International Publishing : : 2022.,
Description:	x, 249 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: The Naked Truth: Body, Gender and Sexuality in Twenty-First Century Latin American Cinema -- 2. Lesbian Pathology and Monstrous Maternity in Lucrecia Martel's Salta Trilogy -- 3. The Lesbian Utopia of Albertina Carri's Las hijas del fuego (2018) -- 4. Non-Binary: Gender Trouble and Intersex Bodies in Latin American Cinema -- 5. The Female Body as Absence: Tempestad by Tatiana Huezo (2016) and Ayer maravilla fui by Gabriel Mariño (2017) -- 6. Embodied Existence as Resistance: The Transgender Body as Political Protest -- 7. Nudity and Social Protest in Latin America: Artivism's Filmed Effects -- 8. Conclusion.
Contained By:	Springer Nature eBook
Subject:	Motion pictures - Latin America. -
Online resource:	https://doi.org/10.1007/978-3-030-84558-2
ISBN:	9783030845582

Body, gender, and sexuality in Latin American cinema = insurgent skin /
Kroll, Juli A.

Body, gender, and sexuality in Latin American cinemainsurgent skin /[electronic resource] :by Juli A. Kroll. - Cham :Springer International Publishing :2022. - x, 249 p. :ill., digital ;24 cm. - Palgrave studies in (re)presenting gender,2662-9372. - Palgrave studies in (re)presenting gender..

1. Introduction: The Naked Truth: Body, Gender and Sexuality in Twenty-First Century Latin American Cinema -- 2. Lesbian Pathology and Monstrous Maternity in Lucrecia Martel's Salta Trilogy -- 3. The Lesbian Utopia of Albertina Carri's Las hijas del fuego (2018) -- 4. Non-Binary: Gender Trouble and Intersex Bodies in Latin American Cinema -- 5. The Female Body as Absence: Tempestad by Tatiana Huezo (2016) and Ayer maravilla fui by Gabriel Mariño (2017) -- 6. Embodied Existence as Resistance: The Transgender Body as Political Protest -- 7. Nudity and Social Protest in Latin America: Artivism's Filmed Effects -- 8. Conclusion.

Insurgent Skin: Body, Gender, and Sexuality in Latin American Cinema argues that twenty-first century Latin American cinema about lesbian, feminist, intersex, and transgender themes is revolutionary because it disrupts heteronormative and binary representation and explores new, queer signifying modes. Grounded in feminist and queer theory, Insurgent Skin conjugates film phenomenology and theories of affect and embodiment to analyze a spectrum of Latin American films. The first chapters explore queer signifying in Argentinean director Lucrecia Martel's Salta trilogy and the lesbian utopia of Albertina Carri's Las hijas del fuego (2018). Next, the book discusses the female body as uncanny absence in Tatiana Huezo's documentary Tempestad (2016), a film about gendered violence in Mexico. Chapter Five focuses on intersex films and the establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018). Dr. Juli A. Kroll is Professor of Spanish at the University of St. Thomas in St. Paul, MN, where she also directs the Film Studies program. Dr. Kroll teaches Latin American literature, culture, and film studies. Her research focuses on Latin American cultural production, with emphasis on gender and sexualities.

ISBN: 9783030845582

Standard No.: 10.1007/978-3-030-84558-2doiSubjects--Topical Terms:

824536
Motion pictures
--Latin America.

LC Class. No.: PN1993.5.L3 / K76 2022

Dewey Class. No.: 791.4365267

Body, gender, and sexuality in Latin American cinema = insurgent skin /
LDR:03136nmm a2200361 a 4500 001 2302709
003 DE-He213
005 20220801071334.0
006 m d
007 cr nn 008maaau
008 230409s2022 sz s 0 eng d
020 $a 9783030845582 $q (electronic bk.)
020 $a 9783030845575 $q (paper)
024 7 $a 10.1007/978-3-030-84558-2 $2 doi
035 $a 978-3-030-84558-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.L3 $b K76 2022
072 7 $a JFD $2 bicssc
072 7 $a JFSJ $2 bicssc
072 7 $a SOC052000 $2 bisacsh
072 7 $a JBCT $2 thema
072 7 $a JBSF $2 thema
082 0 4 $a 791.4365267 $2 23
090 $a PN1993.5.L3 $b K93 2022
100 1 $a Kroll, Juli A. $3 3603327
245 1 0 $a Body, gender, and sexuality in Latin American cinema $h [electronic resource] : $b insurgent skin / $c by Juli A. Kroll.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a x, 249 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in (re)presenting gender, $x 2662-9372
505 0 $a 1. Introduction: The Naked Truth: Body, Gender and Sexuality in Twenty-First Century Latin American Cinema -- 2. Lesbian Pathology and Monstrous Maternity in Lucrecia Martel's Salta Trilogy -- 3. The Lesbian Utopia of Albertina Carri's Las hijas del fuego (2018) -- 4. Non-Binary: Gender Trouble and Intersex Bodies in Latin American Cinema -- 5. The Female Body as Absence: Tempestad by Tatiana Huezo (2016) and Ayer maravilla fui by Gabriel Mariño (2017) -- 6. Embodied Existence as Resistance: The Transgender Body as Political Protest -- 7. Nudity and Social Protest in Latin America: Artivism's Filmed Effects -- 8. Conclusion.
520 $a Insurgent Skin: Body, Gender, and Sexuality in Latin American Cinema argues that twenty-first century Latin American cinema about lesbian, feminist, intersex, and transgender themes is revolutionary because it disrupts heteronormative and binary representation and explores new, queer signifying modes. Grounded in feminist and queer theory, Insurgent Skin conjugates film phenomenology and theories of affect and embodiment to analyze a spectrum of Latin American films. The first chapters explore queer signifying in Argentinean director Lucrecia Martel's Salta trilogy and the lesbian utopia of Albertina Carri's Las hijas del fuego (2018). Next, the book discusses the female body as uncanny absence in Tatiana Huezo's documentary Tempestad (2016), a film about gendered violence in Mexico. Chapter Five focuses on intersex films and the establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018). Dr. Juli A. Kroll is Professor of Spanish at the University of St. Thomas in St. Paul, MN, where she also directs the Film Studies program. Dr. Kroll teaches Latin American literature, culture, and film studies. Her research focuses on Latin American cultural production, with emphasis on gender and sexualities.
650 0 $a Motion pictures $z Latin America. $3 824536
650 0 $a Sexual minorities in motion pictures. $3 2178543
650 0 $a Transgender people in motion pictures. $3 955044
650 0 $a Gender identity in motion pictures. $3 1083592
650 0 $a Intersexuality in motion pictures. $3 3603328
650 1 4 $a Media and Gender. $3 3538730
650 2 4 $a Latin American Film and TV. $3 3596363
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in (re)presenting gender. $3 3493140
856 4 0 $u https://doi.org/10.1007/978-3-030-84558-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)