東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Rethinking horror in the new economi...

Gaynor, Stella Marie.

Linked to FindBook

Google Book

Amazon

博客來

Rethinking horror in the new economies of television

Record Type:	Electronic resources : Monograph/item
Title/Author:	Rethinking horror in the new economies of television/ by Stella Marie Gaynor.
Author:	Gaynor, Stella Marie.
Published:	Cham :Springer International Publishing : : 2022.,
Description:	xvi, 261 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1. Introduction -- Chapter 2. The Rise of TV Horror -- Chapter 3. Horror and Peak TV -- Chapter 4. TV Horror and Technical Excellence -- Chapter 5. Netflix and Data-Driven Horror -- Chapter 6. Shudder and the Specific Niche -- Chapter 7. The Brand, the Gothic, the Cult, and the Iconic -- Chapter 8. Established Horror -- Chapter 9. Renegotiating Horror -- Chapter 10. Conclusion.
Contained By:	Springer Nature eBook
Subject:	Horror television programs - United States. -
Online resource:	https://doi.org/10.1007/978-3-030-97589-0
ISBN:	9783030975890

Rethinking horror in the new economies of television
Gaynor, Stella Marie.

Rethinking horror in the new economies of television[electronic resource] /by Stella Marie Gaynor. - Cham :Springer International Publishing :2022. - xvi, 261 p. :ill., digital ;24 cm.

Chapter 1. Introduction -- Chapter 2. The Rise of TV Horror -- Chapter 3. Horror and Peak TV -- Chapter 4. TV Horror and Technical Excellence -- Chapter 5. Netflix and Data-Driven Horror -- Chapter 6. Shudder and the Specific Niche -- Chapter 7. The Brand, the Gothic, the Cult, and the Iconic -- Chapter 8. Established Horror -- Chapter 9. Renegotiating Horror -- Chapter 10. Conclusion.

"Rethinking Horror in the New Economies of Television brilliantly skewers horror's changing televisual roles, analysing the genre's recent explosion in popularity. Exploring how a horror cycle has become ubiquitous and valuable across the US TV industry of the twenty-first century, Stella Marie Gaynor smartly complicates our understandings of both television and horror. This razor-sharp study will appeal to a wide range of fans and academics-in short, immediate reader attention is advised." -Professor Matt Hills, author of Fan Cultures and The Pleasures of Horror. This book explores the cycle of horror on US television in the decade following the launch of The Walking Dead, considering the horror genre from an industrial perspective. Examining TV horror through rich industrial and textual analysis, this book reveals the strategies and ambitions of cable and network channels, as well as Netflix and Shudder, with regards to horror serialization. Selected case studies; including American Horror Story, The Haunting of Hill House, Creepshow, Ash vs Evil Dead, and Hannibal; explore horror drama and the utilization of genre, cult and classic horror texts, as well as the exploitation of fan practice, in the changing economic landscape of contemporary US television. In the first detailed exploration of graphic horror special effects as a marker of technical excellence, and how these skills are used for the promotion of TV horror drama, Gaynor makes the case that horror has become a cornerstone of US television. Dr Stella Marie Gaynor is Associate Lecturer at the University of Salford, UK, where she teaches horror media, television, radio, and media studies. Recent publications explore her favorite horror content, covering zombies, vampires, serial killers, true crime, and grim history. She is a founding member of BAFTSS Horror Studies SIG.

ISBN: 9783030975890

Standard No.: 10.1007/978-3-030-97589-0doiSubjects--Topical Terms:

3602114
Horror television programs
--United States.

LC Class. No.: PN1992.8.H67

Dewey Class. No.: 791.456164

Rethinking horror in the new economies of television
LDR:03298nmm a2200337 a 4500 001 2302080
003 DE-He213
005 20220607153708.0
006 m d
007 cr nn 008maaau
008 230409s2022 sz s 0 eng d
020 $a 9783030975890 $q (electronic bk.)
020 $a 9783030975883 $q (paper)
024 7 $a 10.1007/978-3-030-97589-0 $2 doi
035 $a 978-3-030-97589-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1992.8.H67
072 7 $a APT $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a ATJ $2 thema
082 0 4 $a 791.456164 $2 23
090 $a PN1992.8.H67 $b G287 2022
100 1 $a Gaynor, Stella Marie. $3 3602113
245 1 0 $a Rethinking horror in the new economies of television $h [electronic resource] / $c by Stella Marie Gaynor.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xvi, 261 p. : $b ill., digital ; $c 24 cm.
338 $a online resource $b cr $2 rdacarrier
505 0 $a Chapter 1. Introduction -- Chapter 2. The Rise of TV Horror -- Chapter 3. Horror and Peak TV -- Chapter 4. TV Horror and Technical Excellence -- Chapter 5. Netflix and Data-Driven Horror -- Chapter 6. Shudder and the Specific Niche -- Chapter 7. The Brand, the Gothic, the Cult, and the Iconic -- Chapter 8. Established Horror -- Chapter 9. Renegotiating Horror -- Chapter 10. Conclusion.
520 $a "Rethinking Horror in the New Economies of Television brilliantly skewers horror's changing televisual roles, analysing the genre's recent explosion in popularity. Exploring how a horror cycle has become ubiquitous and valuable across the US TV industry of the twenty-first century, Stella Marie Gaynor smartly complicates our understandings of both television and horror. This razor-sharp study will appeal to a wide range of fans and academics-in short, immediate reader attention is advised." -Professor Matt Hills, author of Fan Cultures and The Pleasures of Horror. This book explores the cycle of horror on US television in the decade following the launch of The Walking Dead, considering the horror genre from an industrial perspective. Examining TV horror through rich industrial and textual analysis, this book reveals the strategies and ambitions of cable and network channels, as well as Netflix and Shudder, with regards to horror serialization. Selected case studies; including American Horror Story, The Haunting of Hill House, Creepshow, Ash vs Evil Dead, and Hannibal; explore horror drama and the utilization of genre, cult and classic horror texts, as well as the exploitation of fan practice, in the changing economic landscape of contemporary US television. In the first detailed exploration of graphic horror special effects as a marker of technical excellence, and how these skills are used for the promotion of TV horror drama, Gaynor makes the case that horror has become a cornerstone of US television. Dr Stella Marie Gaynor is Associate Lecturer at the University of Salford, UK, where she teaches horror media, television, radio, and media studies. Recent publications explore her favorite horror content, covering zombies, vampires, serial killers, true crime, and grim history. She is a founding member of BAFTSS Horror Studies SIG.
650 0 $a Horror television programs $z United States. $3 3602114
650 0 $a Television broadcasting. $3 563619
650 1 4 $a Television Studies. $3 3602115
650 2 4 $a American Film and TV. $3 3538710
650 2 4 $a Genre Studies. $3 3602116
650 2 4 $a Film and Television Industry. $3 3599347
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-97589-0
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)