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Pretty/Violent: Cinematic Action Her...

Monk, Ryan Michael.

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Pretty/Violent: Cinematic Action Heroines from 2015 to 2020.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Pretty/Violent: Cinematic Action Heroines from 2015 to 2020./
Author:	Monk, Ryan Michael.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	75 p.
Notes:	Source: Masters Abstracts International, Volume: 83-01.
Contained By:	Masters Abstracts International83-01.
Subject:	Film studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28642385
ISBN:	9798516075322

Pretty/Violent: Cinematic Action Heroines from 2015 to 2020.
Monk, Ryan Michael.

Pretty/Violent: Cinematic Action Heroines from 2015 to 2020. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 75 p.

Source: Masters Abstracts International, Volume: 83-01.

Thesis (M.A.)--Bowling Green State University, 2021.

This item must not be sold to any third party vendors.

Hollywood filmmakers have recently, and dramatically, changed their depictions of women in Action Movies in the Two-Thousand-Teens. There has been a dramatic disparity between images of violent men and violent women. However, filmmakers are now giving action heroines the same attention they gave to action heroes. This thesis examines Mad Max: Fury Road, Atomic Blonde, Wonder Woman, Wonder Woman 1984, and Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn to make clear much of the progress, and one or two pitfalls, these films have presented audiences with, including the use of tropes that were previously, in terms of Hollywood major motion pictures, mostly only seen in male-led Action Movies.

ISBN: 9798516075322Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

Film

Pretty/Violent: Cinematic Action Heroines from 2015 to 2020.
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520 $a Hollywood filmmakers have recently, and dramatically, changed their depictions of women in Action Movies in the Two-Thousand-Teens. There has been a dramatic disparity between images of violent men and violent women. However, filmmakers are now giving action heroines the same attention they gave to action heroes. This thesis examines Mad Max: Fury Road, Atomic Blonde, Wonder Woman, Wonder Woman 1984, and Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn to make clear much of the progress, and one or two pitfalls, these films have presented audiences with, including the use of tropes that were previously, in terms of Hollywood major motion pictures, mostly only seen in male-led Action Movies.
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