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Touching the World: A Way of Making ...

Kynigopoulou, Elisavet.

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Touching the World: A Way of Making Meaning in Film.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Touching the World: A Way of Making Meaning in Film./
Author:	Kynigopoulou, Elisavet.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	113 p.
Notes:	Source: Masters Abstracts International, Volume: 81-11.
Contained By:	Masters Abstracts International81-11.
Subject:	Film studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27964716
ISBN:	9798645449629

Touching the World: A Way of Making Meaning in Film.
Kynigopoulou, Elisavet.

Touching the World: A Way of Making Meaning in Film. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 113 p.

Source: Masters Abstracts International, Volume: 81-11.

Thesis (M.F.A.)--Boston University, 2020.

This item must not be sold to any third party vendors.

This thesis explores different aspects of touch and the role of the body in three works by Robert Bresson: Un condamne a mort s'est echappe (1956), Pickpocket (1959) and Une Femme Douce (1969). It intends to show how affective qualities can complement our understanding of the director's meanings. Drawing from recent phenomenological scholarship it focuses on the experiential elements of Bresson's works and the thematic threads linked to them. By exploring touch, the unusual treatment of bodies and other material elements that Bresson incorporates in different kinds of visual, audible and haptic juxtapositions, it exhibits the director's imaginative meanings grounded in physicality and materiality.

ISBN: 9798645449629Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

Robert Bresson

Touching the World: A Way of Making Meaning in Film.
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245 1 0 $a Touching the World: A Way of Making Meaning in Film.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 113 p.
500 $a Source: Masters Abstracts International, Volume: 81-11.
500 $a Advisor: Carney, Raymond;Jaramillo, Deborah L.
502 $a Thesis (M.F.A.)--Boston University, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a This thesis explores different aspects of touch and the role of the body in three works by Robert Bresson: Un condamne a mort s'est echappe (1956), Pickpocket (1959) and Une Femme Douce (1969). It intends to show how affective qualities can complement our understanding of the director's meanings. Drawing from recent phenomenological scholarship it focuses on the experiential elements of Bresson's works and the thematic threads linked to them. By exploring touch, the unusual treatment of bodies and other material elements that Bresson incorporates in different kinds of visual, audible and haptic juxtapositions, it exhibits the director's imaginative meanings grounded in physicality and materiality.
590 $a School code: 0017.
650 4 $a Film studies. $3 2122736
653 $a Robert Bresson
653 $a Thematic threads
653 $a Meaning in film
690 $a 0900
710 2 $a Boston University. $b Film & Television COM. $3 3560822
773 0 $t Masters Abstracts International $g 81-11.
790 $a 0017
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792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27964716