東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Satirizing the Audience: Shakespeare...

Juberg, Marc J.

Linked to FindBook

Google Book

Amazon

博客來

Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601./
Author:	Juberg, Marc J.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	301 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-01, Section: A.
Contained By:	Dissertations Abstracts International82-01A.
Subject:	Theater. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27959573
ISBN:	9798662373785

Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601.
Juberg, Marc J.

Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 301 p.

Source: Dissertations Abstracts International, Volume: 82-01, Section: A.

Thesis (Ph.D.)--University of Minnesota, 2020.

This item must not be sold to any third party vendors.

This dissertation examines Shakespeare's techniques of formal obscurity in four plays: Love's Labour's Lost, As You Like It, Hamlet, and Troilus and Cressida. Shakespeare and his contemporaries, Juberg shows, attached specific satirical and aesthetic functions to deliberately obscure writing. As satire migrated from page to stage in the last decade of the 16th century, Shakespeare recombined the generic codes and conventionally confusing language of print satire to create his own type of satirical theater, with which he challenged prevailing norms of literary and theatrical interpretation and tested the limits of audience understanding.

ISBN: 9798662373785Subjects--Topical Terms:

522973
Theater.
Subjects--Index Terms:

Audience Response

Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601.
LDR:01812nmm a2200385 4500 001 2282779
005 20211022115942.5
008 220723s2020 ||||||||||||||||| ||eng d
020 $a 9798662373785
035 $a (MiAaPQ)AAI27959573
035 $a AAI27959573
040 $a MiAaPQ $c MiAaPQ
100 1 $a Juberg, Marc J. $3 3561598
245 1 0 $a Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 301 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-01, Section: A.
500 $a Advisor: Scheil, Katherine.
502 $a Thesis (Ph.D.)--University of Minnesota, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation examines Shakespeare's techniques of formal obscurity in four plays: Love's Labour's Lost, As You Like It, Hamlet, and Troilus and Cressida. Shakespeare and his contemporaries, Juberg shows, attached specific satirical and aesthetic functions to deliberately obscure writing. As satire migrated from page to stage in the last decade of the 16th century, Shakespeare recombined the generic codes and conventionally confusing language of print satire to create his own type of satirical theater, with which he challenged prevailing norms of literary and theatrical interpretation and tested the limits of audience understanding.
590 $a School code: 0130.
650 4 $a Theater. $3 522973
650 4 $a Aesthetics. $3 523036
650 4 $a British & Irish literature. $3 3284317
653 $a Audience Response
653 $a Jonson, Ben
653 $a Poetics
653 $a Satire
653 $a Shakespeare, William
653 $a Style
690 $a 0593
690 $a 0465
690 $a 0650
710 2 $a University of Minnesota. $b English. $3 1024116
773 0 $t Dissertations Abstracts International $g 82-01A.
790 $a 0130
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27959573