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Bong Joon-Ho's Transnational Challen...

Spaethen, Lisa - Marie.

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Bong Joon-Ho's Transnational Challenge To Eurocentrism.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Bong Joon-Ho's Transnational Challenge To Eurocentrism./
Author:	Spaethen, Lisa - Marie.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	45 p.
Notes:	Source: Masters Abstracts International, Volume: 82-01.
Contained By:	Masters Abstracts International82-01.
Subject:	Film studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27999500
ISBN:	9798607372385

Bong Joon-Ho's Transnational Challenge To Eurocentrism.
Spaethen, Lisa - Marie.

Bong Joon-Ho's Transnational Challenge To Eurocentrism. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 45 p.

Source: Masters Abstracts International, Volume: 82-01.

Thesis (M.A.)--Chapman University, 2020.

This item must not be sold to any third party vendors.

Through a narrative analysis of three of Bong Joon-ho's films: The Host (2006), Snowpiercer (2013), and Okja (2017), this thesis explores the impact of global media flow of transnational cinema, foregrounding its potential to convey broader (but more effective) social and ecological political messages through its wider reach to audiences. Each film selected highlights a specific aspect of transnational cinema - postcolonial transnationalism (Shohat and Stam, 1994), transnational odor (Koichi Iwabuchi, 2002), and ecocinema transnationalism (Kaapa Pietari, 2013) - illustrating the fluidity of cinema in the 21st century and further, the unique position Netflix holds in our contemporary mediascape as a global producer and distributor. Netflix is disrupting the traditional cinema system, offering its users worldwide the possibility to watch films and series on demand from home.Using Homi. L. Bhabha, Stuart Hall, and Ella Shohat and Robert Stam's theories this thesis will show how Bong Joon-ho's films destabilize the Eurocentric perspective of traditional cinema. Moreover, it will become clear how the transnational character of Bong Joon-ho's films and their form of distribution have the potential to engender deconstructive viewing positions, and by doing so, challenge Eurocentric perspectives.

ISBN: 9798607372385Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

Eurocentrism

Bong Joon-Ho's Transnational Challenge To Eurocentrism.
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520 $a Through a narrative analysis of three of Bong Joon-ho's films: The Host (2006), Snowpiercer (2013), and Okja (2017), this thesis explores the impact of global media flow of transnational cinema, foregrounding its potential to convey broader (but more effective) social and ecological political messages through its wider reach to audiences. Each film selected highlights a specific aspect of transnational cinema - postcolonial transnationalism (Shohat and Stam, 1994), transnational odor (Koichi Iwabuchi, 2002), and ecocinema transnationalism (Kaapa Pietari, 2013) - illustrating the fluidity of cinema in the 21st century and further, the unique position Netflix holds in our contemporary mediascape as a global producer and distributor. Netflix is disrupting the traditional cinema system, offering its users worldwide the possibility to watch films and series on demand from home.Using Homi. L. Bhabha, Stuart Hall, and Ella Shohat and Robert Stam's theories this thesis will show how Bong Joon-ho's films destabilize the Eurocentric perspective of traditional cinema. Moreover, it will become clear how the transnational character of Bong Joon-ho's films and their form of distribution have the potential to engender deconstructive viewing positions, and by doing so, challenge Eurocentric perspectives.
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