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A Montage of Masculinities: Textual ...
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Shouse, Ji Young.
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A Montage of Masculinities: Textual and Visual Readings of Japanese and Korean Modernist Literature in the 1920s and 1930s.
Record Type:
Electronic resources : Monograph/item
Title/Author:
A Montage of Masculinities: Textual and Visual Readings of Japanese and Korean Modernist Literature in the 1920s and 1930s./
Author:
Shouse, Ji Young.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:
206 p.
Notes:
Source: Dissertations Abstracts International, Volume: 82-12, Section: A.
Contained By:
Dissertations Abstracts International82-12A.
Subject:
Asian literature. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28415426
ISBN:
9798515204129
A Montage of Masculinities: Textual and Visual Readings of Japanese and Korean Modernist Literature in the 1920s and 1930s.
Shouse, Ji Young.
A Montage of Masculinities: Textual and Visual Readings of Japanese and Korean Modernist Literature in the 1920s and 1930s.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 206 p.
Source: Dissertations Abstracts International, Volume: 82-12, Section: A.
Thesis (Ph.D.)--University of Colorado at Boulder, 2021.
This item must not be sold to any third party vendors.
This dissertation is an interdisciplinary project that examines masculinities through the inscription of the masculine self in Japanese and Korean modernist texts and popular images during the colonial period. Through analyses of various Japanese and Korean texts and images including texts by Japanese modernists Muro Saisei, Yokomitsu Riichi, and Akutagawa Ryunosuke; Korean modernist Pak Taewon, Choi Myeong-ik, and Yi Sang; and texts and images from the Japanese popular magazine Gurotesque (Gurotesuku) and the Korean popular magazine The Otherworld (Byeolgeongon), the dissertation delineates the epistemological crisis of the male self as represented in text and image in order to draw attention to the problematics of the so-called symbolic order and its production of a patriarchal system. Accordingly, this dissertation examines the politics of bodies including gender typologies and ethno-racial paradigms as realized and formulated in Korean and Japanese modernist texts and images as expressed through the consciousness of the male intelligentsia. The chapters that follow situate several critical gendered and ethno-racialized moments pivoting around the male self that formulates the dialectic of the self and the Other through the texts and images. The Other is interpreted in two ways, first, as the men of the Other, which represents the male intelligentsia who are situated outside of or other to the individual male self, and second, as the body of the female Other that embodied a gendered and racialized Other but also metamorphoses in accordance with the projections of the male self. I consider and explore the various dimensions of gender and ethno-racial dynamics through the lens of gender and visual theories as well as phenomenological hermeneutics. My readings are thus guided by unconventional fe/male philosophers and theorists such as Hannah Arendt, Judith Butler, and Slavoj Zizek in order to problematize and criticize the hegemony of gender and ethno-racial paradigms and draw attention to the hegemony that causes the epistemological crisis of the male self.
ISBN: 9798515204129Subjects--Topical Terms:
2122707
Asian literature.
Subjects--Index Terms:
Imperialism
A Montage of Masculinities: Textual and Visual Readings of Japanese and Korean Modernist Literature in the 1920s and 1930s.
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Source: Dissertations Abstracts International, Volume: 82-12, Section: A.
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Advisor: Brown, Janice C.
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Thesis (Ph.D.)--University of Colorado at Boulder, 2021.
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This dissertation is an interdisciplinary project that examines masculinities through the inscription of the masculine self in Japanese and Korean modernist texts and popular images during the colonial period. Through analyses of various Japanese and Korean texts and images including texts by Japanese modernists Muro Saisei, Yokomitsu Riichi, and Akutagawa Ryunosuke; Korean modernist Pak Taewon, Choi Myeong-ik, and Yi Sang; and texts and images from the Japanese popular magazine Gurotesque (Gurotesuku) and the Korean popular magazine The Otherworld (Byeolgeongon), the dissertation delineates the epistemological crisis of the male self as represented in text and image in order to draw attention to the problematics of the so-called symbolic order and its production of a patriarchal system. Accordingly, this dissertation examines the politics of bodies including gender typologies and ethno-racial paradigms as realized and formulated in Korean and Japanese modernist texts and images as expressed through the consciousness of the male intelligentsia. The chapters that follow situate several critical gendered and ethno-racialized moments pivoting around the male self that formulates the dialectic of the self and the Other through the texts and images. The Other is interpreted in two ways, first, as the men of the Other, which represents the male intelligentsia who are situated outside of or other to the individual male self, and second, as the body of the female Other that embodied a gendered and racialized Other but also metamorphoses in accordance with the projections of the male self. I consider and explore the various dimensions of gender and ethno-racial dynamics through the lens of gender and visual theories as well as phenomenological hermeneutics. My readings are thus guided by unconventional fe/male philosophers and theorists such as Hannah Arendt, Judith Butler, and Slavoj Zizek in order to problematize and criticize the hegemony of gender and ethno-racial paradigms and draw attention to the hegemony that causes the epistemological crisis of the male self.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28415426
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