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The Evolution of the Papunya Tula Mo...

Rosenfeld, Brett.

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The Evolution of the Papunya Tula Movement: How Western Desert Painting Became a Catalyst for the Australian Art Market Despite the Lasting Impacts of Colonialism.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Evolution of the Papunya Tula Movement: How Western Desert Painting Became a Catalyst for the Australian Art Market Despite the Lasting Impacts of Colonialism./
Author:	Rosenfeld, Brett.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	119 p.
Notes:	Source: Masters Abstracts International, Volume: 82-08.
Contained By:	Masters Abstracts International82-08.
Subject:	Art history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28314405
ISBN:	9798557099714

The Evolution of the Papunya Tula Movement: How Western Desert Painting Became a Catalyst for the Australian Art Market Despite the Lasting Impacts of Colonialism.
Rosenfeld, Brett.

The Evolution of the Papunya Tula Movement: How Western Desert Painting Became a Catalyst for the Australian Art Market Despite the Lasting Impacts of Colonialism. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 119 p.

Source: Masters Abstracts International, Volume: 82-08.

Thesis (M.A.)--Fashion Institute of Technology, State University of New York, 2020.

This item must not be sold to any third party vendors.

This thesis focuses on the Papunya Tula art movement that emerged from the Western Desert of Australia in 1971 and its lasting effects on the Aboriginal art market. The movement is credited with changing the discourse around Australian art history, introducing Aboriginal art to the sphere of Australian contemporary art, and creating a viable and sustainable market for Aboriginal art. This thesis includes an art historical analysis of the work by the founding members of the Papunya Tula Artists Cooperative, along with the history of the origin of the movement and the role that art teacher Geoffrey Bardon played in its inception. In chapter two I will begin the discussion on British colonization of Australia, beginning with its history and effects on Aboriginal society, and later addressing how colonialism as a structure connects to primitivism seen in museums and galleries. Chapter two will also analyze the policies implemented by the Australian government, which put further limitations on Aboriginal self- determination within the contemporary art sector. To conclude this thesis, I am going to present an analysis of the background and current market for Aboriginal art, and how colonialism has subconsciously shaped the Australian contemporary art market.

ISBN: 9798557099714Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Aboriginal

The Evolution of the Papunya Tula Movement: How Western Desert Painting Became a Catalyst for the Australian Art Market Despite the Lasting Impacts of Colonialism.
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520 $a This thesis focuses on the Papunya Tula art movement that emerged from the Western Desert of Australia in 1971 and its lasting effects on the Aboriginal art market. The movement is credited with changing the discourse around Australian art history, introducing Aboriginal art to the sphere of Australian contemporary art, and creating a viable and sustainable market for Aboriginal art. This thesis includes an art historical analysis of the work by the founding members of the Papunya Tula Artists Cooperative, along with the history of the origin of the movement and the role that art teacher Geoffrey Bardon played in its inception. In chapter two I will begin the discussion on British colonization of Australia, beginning with its history and effects on Aboriginal society, and later addressing how colonialism as a structure connects to primitivism seen in museums and galleries. Chapter two will also analyze the policies implemented by the Australian government, which put further limitations on Aboriginal self- determination within the contemporary art sector. To conclude this thesis, I am going to present an analysis of the background and current market for Aboriginal art, and how colonialism has subconsciously shaped the Australian contemporary art market.
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