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Finding Boundaries for the Commodifi...

Beason, Roxanne.

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Finding Boundaries for the Commodification of Native Culture: The Annual Santa Fe Indian Market.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Finding Boundaries for the Commodification of Native Culture: The Annual Santa Fe Indian Market./
作者:	Beason, Roxanne.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	86 p.
附註:	Source: Masters Abstracts International, Volume: 82-08.
Contained By:	Masters Abstracts International82-08.
標題:	Native American studies. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28030493
ISBN:	9798569986767

Finding Boundaries for the Commodification of Native Culture: The Annual Santa Fe Indian Market.
Beason, Roxanne.

Finding Boundaries for the Commodification of Native Culture: The Annual Santa Fe Indian Market. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 86 p.

Source: Masters Abstracts International, Volume: 82-08.

Thesis (M.A.)--Oklahoma State University, 2020.

This item must not be sold to any third party vendors.

Known for being the epicenter of traditional and contemporary Native American art, the annual Santa Fe Indian Market has become the main source of income and exposure for many working Native artists selling their work in the Southwest. While the Market serves to benefit artists, the selection process has historically enforced problematic definitions of authenticity and tradition. Throughout the Indian Market's history, juries of non-Native anthropologists, private collectors, and museum curators imposed their definitions of what should be considered authentic and set standards that stereotype and objectify Native American art. In effect, Native artists participating in the Santa Fe Indian Market are vulnerable to niche marketing, which can lead to commodification and even marginalization. Working artists such as Jeffrey Gibson, Rose B. Simpson, and Naomi Bebo, among others, use their art to reclaim their artistic sovereignty by distinguishing themselves on the outskirts of the Santa Fe Indian Market. By taking such actions, they are breaking away from traditional expectations imposed by the juried selection process in the Market. Native artists are also highlighting the dichotomous mold set by Market juries between "traditional" and "contemporary" art, and only recently has Indian Market taken upon itself to break through the "boundaries" of these two categories, defying imposed definitions of what is traditional and authentic and letting Native American artists stand on their own terms.

ISBN: 9798569986767Subjects--Topical Terms:

2122730
Native American studies.
Subjects--Index Terms:

Art economics

Finding Boundaries for the Commodification of Native Culture: The Annual Santa Fe Indian Market.
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500 $a Source: Masters Abstracts International, Volume: 82-08.
500 $a Advisor: Siddons, Louise.
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520 $a Known for being the epicenter of traditional and contemporary Native American art, the annual Santa Fe Indian Market has become the main source of income and exposure for many working Native artists selling their work in the Southwest. While the Market serves to benefit artists, the selection process has historically enforced problematic definitions of authenticity and tradition. Throughout the Indian Market's history, juries of non-Native anthropologists, private collectors, and museum curators imposed their definitions of what should be considered authentic and set standards that stereotype and objectify Native American art. In effect, Native artists participating in the Santa Fe Indian Market are vulnerable to niche marketing, which can lead to commodification and even marginalization. Working artists such as Jeffrey Gibson, Rose B. Simpson, and Naomi Bebo, among others, use their art to reclaim their artistic sovereignty by distinguishing themselves on the outskirts of the Santa Fe Indian Market. By taking such actions, they are breaking away from traditional expectations imposed by the juried selection process in the Market. Native artists are also highlighting the dichotomous mold set by Market juries between "traditional" and "contemporary" art, and only recently has Indian Market taken upon itself to break through the "boundaries" of these two categories, defying imposed definitions of what is traditional and authentic and letting Native American artists stand on their own terms.
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