東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Counter-Scripting the Body in Pain: ...

Willenfelt, Johanna.

Linked to FindBook

Google Book

Amazon

博客來

Counter-Scripting the Body in Pain: An Artistic Interrogation into Pain as Practice, Site and Subversive Force.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Counter-Scripting the Body in Pain: An Artistic Interrogation into Pain as Practice, Site and Subversive Force./
Author:	Willenfelt, Johanna.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	193 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-05, Section: A.
Contained By:	Dissertations Abstracts International82-05A.
Subject:	Fine arts. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28277736
ISBN:	9798691267635

Counter-Scripting the Body in Pain: An Artistic Interrogation into Pain as Practice, Site and Subversive Force.
Willenfelt, Johanna.

Counter-Scripting the Body in Pain: An Artistic Interrogation into Pain as Practice, Site and Subversive Force. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 193 p.

Source: Dissertations Abstracts International, Volume: 82-05, Section: A.

Thesis (Ph.D.)--Lancaster University (United Kingdom), 2020.

This item must not be sold to any third party vendors.

Counter-scripting the body in pain, an artistic interrogation into pain as practice, site and subversive force conceptualises and enacts forms of resistance to the human tendency to negate pain, drawing on methods and sensibilities specific to artistic knowledge and practice. Through a series of text-based artworks, this project offers alternative modes for probing, perceiving, and understanding chronic pain, challenging dominant socio-cultural attitudes that regard pain as something to avoid or resist. The tripartite series: 'May and the Potentiality of Pain' (2014-2015); 'It's Always Three O'clock in the Morning' (2016); and 'Gibraltar, A Walk with Disturbance' (2017) are at the centre of an exploration into the motifs pain as practice, site, and subversive force. The artworks were created in tandem with an ethical strategy for art pursued through an experimental art-writing strategy I have labelled counter-scripting. Elaborating and engineering affect through performance, the art texts of the three artworks challenge dominant individual and cultural tendencies to explain, suppress, and ultimately annihilate pain. Looking at the body in long-term pain, it becomes particularly important to regard physical and mental processes as coextensive, intertwined attributes instead of relying solely on linguistic acts to address and understand out sensory and corporeal experiences. Contemporary arts practice has proven particularly effective in mediating embodied experience and knowledge, through its ability to extend beyond the conventional uses of accepted representational motifs to address inter-embodied life. Considering relations of pain as its material, this study directs attention to the significance of contemporary arts practice for reconceptualising common perceptions of the presumed meaninglessness of chronic pain. A change of perspective of long-term pain must be adopted, the study insists, not only by those who themselves suffer but also by societies within which all embodied beings are immersed and whose reality said beings share.

ISBN: 9798691267635Subjects--Topical Terms:

2122690
Fine arts.
Subjects--Index Terms:

contemporary art

Counter-Scripting the Body in Pain: An Artistic Interrogation into Pain as Practice, Site and Subversive Force.
LDR:03244nmm a2200349 4500 001 2280447
005 20210827095952.5
008 220723s2020 ||||||||||||||||| ||eng d
020 $a 9798691267635
035 $a (MiAaPQ)AAI28277736
035 $a (MiAaPQ)Lancaster_145631
035 $a AAI28277736
040 $a MiAaPQ $c MiAaPQ
100 1 $a Willenfelt, Johanna. $3 3558969
245 1 0 $a Counter-Scripting the Body in Pain: An Artistic Interrogation into Pain as Practice, Site and Subversive Force.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 193 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-05, Section: A.
500 $a Advisor: Wilson, Mark;Grimwood, Tom.
502 $a Thesis (Ph.D.)--Lancaster University (United Kingdom), 2020.
506 $a This item must not be sold to any third party vendors.
520 $a Counter-scripting the body in pain, an artistic interrogation into pain as practice, site and subversive force conceptualises and enacts forms of resistance to the human tendency to negate pain, drawing on methods and sensibilities specific to artistic knowledge and practice. Through a series of text-based artworks, this project offers alternative modes for probing, perceiving, and understanding chronic pain, challenging dominant socio-cultural attitudes that regard pain as something to avoid or resist. The tripartite series: 'May and the Potentiality of Pain' (2014-2015); 'It's Always Three O'clock in the Morning' (2016); and 'Gibraltar, A Walk with Disturbance' (2017) are at the centre of an exploration into the motifs pain as practice, site, and subversive force. The artworks were created in tandem with an ethical strategy for art pursued through an experimental art-writing strategy I have labelled counter-scripting. Elaborating and engineering affect through performance, the art texts of the three artworks challenge dominant individual and cultural tendencies to explain, suppress, and ultimately annihilate pain. Looking at the body in long-term pain, it becomes particularly important to regard physical and mental processes as coextensive, intertwined attributes instead of relying solely on linguistic acts to address and understand out sensory and corporeal experiences. Contemporary arts practice has proven particularly effective in mediating embodied experience and knowledge, through its ability to extend beyond the conventional uses of accepted representational motifs to address inter-embodied life. Considering relations of pain as its material, this study directs attention to the significance of contemporary arts practice for reconceptualising common perceptions of the presumed meaninglessness of chronic pain. A change of perspective of long-term pain must be adopted, the study insists, not only by those who themselves suffer but also by societies within which all embodied beings are immersed and whose reality said beings share.
590 $a School code: 0416.
650 4 $a Fine arts. $3 2122690
650 4 $a Art criticism. $3 526357
653 $a contemporary art
653 $a chronic pain
653 $a performance art
690 $a 0357
690 $a 0365
710 2 $a Lancaster University (United Kingdom). $3 1294170
773 0 $t Dissertations Abstracts International $g 82-05A.
790 $a 0416
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28277736