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Adaptations of Ovid's Metamorphoses ...
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Macey, Morgan J.
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Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain./
Author:
Macey, Morgan J.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:
33 p.
Notes:
Source: Masters Abstracts International, Volume: 81-06.
Contained By:
Masters Abstracts International81-06.
Subject:
Art history. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27545968
ISBN:
9781392683071
Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain.
Macey, Morgan J.
Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain.
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 33 p.
Source: Masters Abstracts International, Volume: 81-06.
Thesis (M.A.)--University of South Florida, 2019.
This item is not available from ProQuest Dissertations & Theses.
As a result of Ovid's prominence in Northern Europe from the twelfth through thesixteenth centuries, French adaptations of and commentaries on the Metamorphoses from the latemedieval period abound. Here, I address the physical and moral transformation of the Narcissusmyth in the tapestry of Narcissus at the Fountain. Specifically, I explore how the tapestry'spresentation of the youth transforms Ovid's verse in a tantalizing yet moralizing image. To aid inthis endeavour, I survey the intermediate sources which inspired said transformation. I argue thelavish clothing, lush garden, ornate fountain, and solemn reflection featured in the tapestry areboth decorative and didactic. Whereas the material re-contextualization of the myth evokesempathy, the moral re-contextualization encourages prudence. Thus, the tapestry embodies apeculiar ambivalence: it displays the patron's status and engages the viewer's sensorium, whilesimultaneously alluding to the dangers of pride and sensation.
ISBN: 9781392683071Subjects--Topical Terms:
2122701
Art history.
Subjects--Index Terms:
decorative
Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain.
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As a result of Ovid's prominence in Northern Europe from the twelfth through thesixteenth centuries, French adaptations of and commentaries on the Metamorphoses from the latemedieval period abound. Here, I address the physical and moral transformation of the Narcissusmyth in the tapestry of Narcissus at the Fountain. Specifically, I explore how the tapestry'spresentation of the youth transforms Ovid's verse in a tantalizing yet moralizing image. To aid inthis endeavour, I survey the intermediate sources which inspired said transformation. I argue thelavish clothing, lush garden, ornate fountain, and solemn reflection featured in the tapestry areboth decorative and didactic. Whereas the material re-contextualization of the myth evokesempathy, the moral re-contextualization encourages prudence. Thus, the tapestry embodies apeculiar ambivalence: it displays the patron's status and engages the viewer's sensorium, whilesimultaneously alluding to the dangers of pride and sensation.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27545968
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