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Re-visions of the past: Lyricism as ...

Coleman, Tara.

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Re-visions of the past: Lyricism as history in contemporary Chinese poetry and film.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Re-visions of the past: Lyricism as history in contemporary Chinese poetry and film./
Author:	Coleman, Tara.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:	369 p.
Notes:	Source: Dissertations Abstracts International, Volume: 78-09, Section: A.
Contained By:	Dissertations Abstracts International78-09A.
Subject:	Comparative literature. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10479039
ISBN:	9781369605631

Re-visions of the past: Lyricism as history in contemporary Chinese poetry and film.
Coleman, Tara.

Re-visions of the past: Lyricism as history in contemporary Chinese poetry and film. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 369 p.

Source: Dissertations Abstracts International, Volume: 78-09, Section: A.

Thesis (Ph.D.)--Rutgers The State University of New Jersey, School of Graduate Studies, 2016.

This item is not available from ProQuest Dissertations & Theses.

This dissertation investigates the role of lyricism in mainland Chinese and Taiwanese poetry and film. The project centers on the directors Hou Hsiao-hsien and Jia Zhangke, whose films are frequently described as lyrical despite their detailed, realistic recreation of the past. The analysis of these filmmakers is paired with chapters dealing with poetry by Ya Xian, Bei Dao, Xi Chuan and others. Drawing on concepts from both the Chinese and Western traditions, the dissertation identifies key poetic strategies that are operative in the films while taking into account the particularities of each medium. Lyricism is a flexible term that has been applied variously to these poems and films in an attempt to capture the way they translate the affective layers of historical experience into comprehensible artistic forms. Much more than a genre or style, lyricism is the result of a particular activation of the reader or spectator, who must participate in the meaning-making process and therefore bring something of his or her own emotional and personal resources to the work. Because of that self-conscious participation, the experience of lyricism therefore enables a particular historical consciousness that can be a productive alternative to the more typical narrative forms of historicism that these artists reject.

ISBN: 9781369605631Subjects--Topical Terms:

570001
Comparative literature.
Subjects--Index Terms:

Chinese film

Re-visions of the past: Lyricism as history in contemporary Chinese poetry and film.
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245 1 0 $a Re-visions of the past: Lyricism as history in contemporary Chinese poetry and film.
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300 $a 369 p.
500 $a Source: Dissertations Abstracts International, Volume: 78-09, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Song, Weijie.
502 $a Thesis (Ph.D.)--Rutgers The State University of New Jersey, School of Graduate Studies, 2016.
506 $a This item is not available from ProQuest Dissertations & Theses.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a This dissertation investigates the role of lyricism in mainland Chinese and Taiwanese poetry and film. The project centers on the directors Hou Hsiao-hsien and Jia Zhangke, whose films are frequently described as lyrical despite their detailed, realistic recreation of the past. The analysis of these filmmakers is paired with chapters dealing with poetry by Ya Xian, Bei Dao, Xi Chuan and others. Drawing on concepts from both the Chinese and Western traditions, the dissertation identifies key poetic strategies that are operative in the films while taking into account the particularities of each medium. Lyricism is a flexible term that has been applied variously to these poems and films in an attempt to capture the way they translate the affective layers of historical experience into comprehensible artistic forms. Much more than a genre or style, lyricism is the result of a particular activation of the reader or spectator, who must participate in the meaning-making process and therefore bring something of his or her own emotional and personal resources to the work. Because of that self-conscious participation, the experience of lyricism therefore enables a particular historical consciousness that can be a productive alternative to the more typical narrative forms of historicism that these artists reject.
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