東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

A New Grammar of Images: Werner Herz...

Lamme, David Michael.

Linked to FindBook

Google Book

Amazon

博客來

A New Grammar of Images: Werner Herzog and the Contemporary Philosophy of Cinema.

Record Type:	Electronic resources : Monograph/item
Title/Author:	A New Grammar of Images: Werner Herzog and the Contemporary Philosophy of Cinema./
Author:	Lamme, David Michael.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	185 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Contained By:	Dissertations Abstracts International81-04A.
Subject:	Film studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22623334
ISBN:	9781687992024

A New Grammar of Images: Werner Herzog and the Contemporary Philosophy of Cinema.
Lamme, David Michael.

A New Grammar of Images: Werner Herzog and the Contemporary Philosophy of Cinema. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 185 p.

Source: Dissertations Abstracts International, Volume: 81-04, Section: A.

Thesis (Ph.D.)--University of California, Irvine, 2019.

This item must not be sold to any third party vendors.

In his central mission of working on "a new grammar of images," the German film director Werner Herzog presents a challenge to the philosophy of cinema. Pairing Herzog's work with Deleuzian film theory, I argue against the prevalent secondary literature that Herzog's oeuvre engages with an anti-romantic and non-ironic material philosophy in order to provide ethical challenges to a contemporary, connected world. Specifically focusing on spatiotemporal formations derived from empirical science, I demonstrate that Herzog's approach to cinema utilizes a four-tiered semiotic that is at its core not merely a film theory, but rather an entire material philosophy of nature with profound ethical and political implications.

ISBN: 9781687992024Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

Deleuze

A New Grammar of Images: Werner Herzog and the Contemporary Philosophy of Cinema.
LDR:01862nmm a2200373 4500 001 2279995
005 20210823091452.5
008 220723s2019 ||||||||||||||||| ||eng d
020 $a 9781687992024
035 $a (MiAaPQ)AAI22623334
035 $a AAI22623334
040 $a MiAaPQ $c MiAaPQ
100 1 $a Lamme, David Michael. $3 3558486
245 1 0 $a A New Grammar of Images: Werner Herzog and the Contemporary Philosophy of Cinema.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 185 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
500 $a Advisor: Pan, David T.
502 $a Thesis (Ph.D.)--University of California, Irvine, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a In his central mission of working on "a new grammar of images," the German film director Werner Herzog presents a challenge to the philosophy of cinema. Pairing Herzog's work with Deleuzian film theory, I argue against the prevalent secondary literature that Herzog's oeuvre engages with an anti-romantic and non-ironic material philosophy in order to provide ethical challenges to a contemporary, connected world. Specifically focusing on spatiotemporal formations derived from empirical science, I demonstrate that Herzog's approach to cinema utilizes a four-tiered semiotic that is at its core not merely a film theory, but rather an entire material philosophy of nature with profound ethical and political implications.
590 $a School code: 0030.
650 4 $a Film studies. $3 2122736
650 4 $a Philosophy. $3 516511
650 4 $a European studies. $3 3168420
653 $a Deleuze
653 $a film
653 $a German
653 $a Herzog
653 $a philosophy of cinema
690 $a 0900
690 $a 0422
690 $a 0440
710 2 $a University of California, Irvine. $b German - Ph.D.. $3 3558487
773 0 $t Dissertations Abstracts International $g 81-04A.
790 $a 0030
791 $a Ph.D.
792 $a 2019
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22623334