東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Revival: Memory and Nostalgia in Con...

Arizona State University., Art History.

Linked to FindBook

Google Book

Amazon

博客來

Revival: Memory and Nostalgia in Contemporary Art.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Revival: Memory and Nostalgia in Contemporary Art./
Author:	Ziesmann, Hannah .
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	69 p.
Notes:	Source: Masters Abstracts International, Volume: 82-03.
Contained By:	Masters Abstracts International82-03.
Subject:	Art history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28028621
ISBN:	9798664757064

Revival: Memory and Nostalgia in Contemporary Art.
Ziesmann, Hannah .

Revival: Memory and Nostalgia in Contemporary Art. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 69 p.

Source: Masters Abstracts International, Volume: 82-03.

Thesis (M.A.)--Arizona State University, 2020.

This item must not be sold to any third party vendors.

Many contemporary artists have turned to the past in order to negotiate and make sense of their relationship with the present. Similarly, museums have begun to look back in order to push forward and through a revisionist lens they scrutinize their collections and reveal ignored object histories. A prominent method some museums implement is allowing contemporary artists to comb through the vaults and present new relationships between their objects to their visitors. Through a psychological analysis of memory, and theorists' dissection of nostalgia, object agency, and contemporaneity, I argue that artists Spencer Finch, Do Ho Suh, Newsha Tavakolian, Solmaz Daryani, Malekeh Nayiny, Mitra Tabrizian, Mark Dion, Fred Wilson, and Gala Porras-Kim function as revivalists - or artists whose works use memory and nostalgia to bring the past back to life. By attempting to retrieve memories, create nostalgic experiences, and question histories, they make their works tools for remembrance, reconciliation, and renegotiation with the past and present. The concerns these artists bring to the surface through their works build an understanding of how memory and nostalgia function as devices for personal meaning-making, trauma processing, and human-object relationship building.

ISBN: 9798664757064Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Art

Revival: Memory and Nostalgia in Contemporary Art.
LDR:02368nmm a2200385 4500 001 2276563
005 20210510090159.5
008 220723s2020 ||||||||||||||||| ||eng d
020 $a 9798664757064
035 $a (MiAaPQ)AAI28028621
035 $a AAI28028621
040 $a MiAaPQ $c MiAaPQ
100 1 $a Ziesmann, Hannah . $3 3554850
245 1 0 $a Revival: Memory and Nostalgia in Contemporary Art.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 69 p.
500 $a Source: Masters Abstracts International, Volume: 82-03.
500 $a Advisor: Fahlman, Betsy.
502 $a Thesis (M.A.)--Arizona State University, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a Many contemporary artists have turned to the past in order to negotiate and make sense of their relationship with the present. Similarly, museums have begun to look back in order to push forward and through a revisionist lens they scrutinize their collections and reveal ignored object histories. A prominent method some museums implement is allowing contemporary artists to comb through the vaults and present new relationships between their objects to their visitors. Through a psychological analysis of memory, and theorists' dissection of nostalgia, object agency, and contemporaneity, I argue that artists Spencer Finch, Do Ho Suh, Newsha Tavakolian, Solmaz Daryani, Malekeh Nayiny, Mitra Tabrizian, Mark Dion, Fred Wilson, and Gala Porras-Kim function as revivalists - or artists whose works use memory and nostalgia to bring the past back to life. By attempting to retrieve memories, create nostalgic experiences, and question histories, they make their works tools for remembrance, reconciliation, and renegotiation with the past and present. The concerns these artists bring to the surface through their works build an understanding of how memory and nostalgia function as devices for personal meaning-making, trauma processing, and human-object relationship building.
590 $a School code: 0010.
650 4 $a Art history. $3 2122701
650 4 $a Art criticism. $3 526357
650 4 $a Psychology. $3 519075
653 $a Art
653 $a Contemporary
653 $a Memory
653 $a Museum
653 $a Nostalgia
653 $a Tulving
690 $a 0377
690 $a 0365
690 $a 0621
710 2 $a Arizona State University. $b Art History. $3 3171304
773 0 $t Masters Abstracts International $g 82-03.
790 $a 0010
791 $a M.A.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28028621