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What Remains: The Practice and Prese...

Yee, Jessica O.

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What Remains: The Practice and Presence of Felix Gonzalez-Torres.

Record Type:	Electronic resources : Monograph/item
Title/Author:	What Remains: The Practice and Presence of Felix Gonzalez-Torres./
Author:	Yee, Jessica O.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	64 p.
Notes:	Source: Masters Abstracts International, Volume: 82-01.
Contained By:	Masters Abstracts International82-01.
Subject:	Art history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27994948
ISBN:	9798662403758

What Remains: The Practice and Presence of Felix Gonzalez-Torres.
Yee, Jessica O.

What Remains: The Practice and Presence of Felix Gonzalez-Torres. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 64 p.

Source: Masters Abstracts International, Volume: 82-01.

Thesis (M.A.)--San Jose State University, 2020.

This item must not be sold to any third party vendors.

Contradiction has been widely used to describe the work of the artist Felix Gonzalez-Torres (1957-1996); however, it does not fully encapsulate the complexity of the artist's oeuvre. This thesis turns to the German director Bertolt Brecht's notion of dialectical theater, which highlights the tensions, struggles, and interplay between contrary tendencies as a way to understand Gonzalez-Torres's work. When the contradiction that marks the artist's work is thought of in terms of dialectical theater, it can be better understood as layered and intentional. This thesis examines the necessary dialectical relationship presented in his work through the artist's employment of theatrical devices that have allowed the artist to navigate the dialectical display of his public and private self. As a result, the scholarship debating Gonzalez-Torres's work must also be viewed collectively as a necessary dialectical relationship that highlights the artist's strategic exchange between his own practice and presence. It is essential to understand Gonzalez-Torres's strategy to allow for the continual unearthing of ephemera related to the artist's life that ultimately carries forth the dialectic, or tensions, between the artist's practice and everlasting presence he ultimately staged.

ISBN: 9798662403758Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

American art

What Remains: The Practice and Presence of Felix Gonzalez-Torres.
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300 $a 64 p.
500 $a Source: Masters Abstracts International, Volume: 82-01.
500 $a Advisor: Bowen, Dore.
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506 $a This item must not be sold to any third party vendors.
520 $a Contradiction has been widely used to describe the work of the artist Felix Gonzalez-Torres (1957-1996); however, it does not fully encapsulate the complexity of the artist's oeuvre. This thesis turns to the German director Bertolt Brecht's notion of dialectical theater, which highlights the tensions, struggles, and interplay between contrary tendencies as a way to understand Gonzalez-Torres's work. When the contradiction that marks the artist's work is thought of in terms of dialectical theater, it can be better understood as layered and intentional. This thesis examines the necessary dialectical relationship presented in his work through the artist's employment of theatrical devices that have allowed the artist to navigate the dialectical display of his public and private self. As a result, the scholarship debating Gonzalez-Torres's work must also be viewed collectively as a necessary dialectical relationship that highlights the artist's strategic exchange between his own practice and presence. It is essential to understand Gonzalez-Torres's strategy to allow for the continual unearthing of ephemera related to the artist's life that ultimately carries forth the dialectic, or tensions, between the artist's practice and everlasting presence he ultimately staged.
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650 4 $a Art criticism. $3 526357
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653 $a Gonzalez-Torres, Felix
653 $a Queer art
653 $a Queer identity
653 $a Reception history
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