東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The Amorous Triangle: Queer Orientat...

Auton, Jared .

Linked to FindBook

Google Book

Amazon

博客來

The Amorous Triangle: Queer Orientations in the Photography of George Platt Lynes and PaJaMa.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Amorous Triangle: Queer Orientations in the Photography of George Platt Lynes and PaJaMa./
Author:	Auton, Jared .
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	106 p.
Notes:	Source: Masters Abstracts International, Volume: 81-06.
Contained By:	Masters Abstracts International81-06.
Subject:	Art history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22618411
ISBN:	9781687944436

The Amorous Triangle: Queer Orientations in the Photography of George Platt Lynes and PaJaMa.
Auton, Jared .

The Amorous Triangle: Queer Orientations in the Photography of George Platt Lynes and PaJaMa. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 106 p.

Source: Masters Abstracts International, Volume: 81-06.

Thesis (M.A.)--State University of New York at Buffalo, 2019.

This item must not be sold to any third party vendors.

This thesis takes as its central subject the queer qualities and re-orienting capabilities of the photographs of George Platt Lynes and PaJaMa, particularly regarding how the images resist binary conceptions of sexuality and coupledom. The introductory chapter explores the historical foundations of modern monogamy and heteronormativity and demonstrates how the photographs of Lynes and PaJaMa, which range in date from the 1930s to the mid-1950s, emerged at a time when binarized notions of homosexuality/heterosexuality and singleness/coupledom were beginning to more forcefully take root in the United States. Chapter 1 focuses on how Lynes and PaJaMa were both involved in tripartite relationships, a fact that deeply informed a logic of triplicity that undergirds the expanse of the art of both sets of artists. Chapter 2 sets these photographs amidst the broader theory and history of photography and deploys notions of a queer phenomenology in order to assess how Lynes and PaJaMa, through their photographs, beckon and queer their spectator, enveloping them into affective relation with the same polyqueer orientations the photographs depict. In the end, this thesis asserts that the legacy of the photographic oeuvres of Lynes and PaJaMa are not just the remarkable ways in which they capture a queer world, but of the profound means by which the artists, through these photographs, sought to build one.

ISBN: 9781687944436Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

American

The Amorous Triangle: Queer Orientations in the Photography of George Platt Lynes and PaJaMa.
LDR:02599nmm a2200373 4500 001 2276445
005 20210510090034.5
008 220723s2019 ||||||||||||||||| ||eng d
020 $a 9781687944436
035 $a (MiAaPQ)AAI22618411
035 $a AAI22618411
040 $a MiAaPQ $c MiAaPQ
100 1 $a Auton, Jared . $3 3554729
245 1 4 $a The Amorous Triangle: Queer Orientations in the Photography of George Platt Lynes and PaJaMa.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 106 p.
500 $a Source: Masters Abstracts International, Volume: 81-06.
500 $a Advisor: Katz, Jonathan D.
502 $a Thesis (M.A.)--State University of New York at Buffalo, 2019.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a This thesis takes as its central subject the queer qualities and re-orienting capabilities of the photographs of George Platt Lynes and PaJaMa, particularly regarding how the images resist binary conceptions of sexuality and coupledom. The introductory chapter explores the historical foundations of modern monogamy and heteronormativity and demonstrates how the photographs of Lynes and PaJaMa, which range in date from the 1930s to the mid-1950s, emerged at a time when binarized notions of homosexuality/heterosexuality and singleness/coupledom were beginning to more forcefully take root in the United States. Chapter 1 focuses on how Lynes and PaJaMa were both involved in tripartite relationships, a fact that deeply informed a logic of triplicity that undergirds the expanse of the art of both sets of artists. Chapter 2 sets these photographs amidst the broader theory and history of photography and deploys notions of a queer phenomenology in order to assess how Lynes and PaJaMa, through their photographs, beckon and queer their spectator, enveloping them into affective relation with the same polyqueer orientations the photographs depict. In the end, this thesis asserts that the legacy of the photographic oeuvres of Lynes and PaJaMa are not just the remarkable ways in which they capture a queer world, but of the profound means by which the artists, through these photographs, sought to build one.
590 $a School code: 0656.
650 4 $a Art history. $3 2122701
650 4 $a LGBTQ studies. $3 2122706
653 $a American
653 $a art
653 $a photography
653 $a polyamory
653 $a queer
690 $a 0377
690 $a 0492
710 2 $a State University of New York at Buffalo. $b Art. $3 3354485
773 0 $t Masters Abstracts International $g 81-06.
790 $a 0656
791 $a M.A.
792 $a 2019
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22618411