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Postsocialist collectivites: Institu...

Tsen, Darwin H.

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Postsocialist collectivites: Institutions, aesthetics, politics in the Sinophone novel.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Postsocialist collectivites: Institutions, aesthetics, politics in the Sinophone novel./
Author:	Tsen, Darwin H.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:	327 p.
Notes:	Source: Dissertations Abstracts International, Volume: 78-09, Section: A.
Contained By:	Dissertations Abstracts International78-09A.
Subject:	Comparative literature. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10583773
ISBN:	9781369626155

Postsocialist collectivites: Institutions, aesthetics, politics in the Sinophone novel.
Tsen, Darwin H.

Postsocialist collectivites: Institutions, aesthetics, politics in the Sinophone novel. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 327 p.

Source: Dissertations Abstracts International, Volume: 78-09, Section: A.

Thesis (Ph.D.)--The Pennsylvania State University, 2016.

This item must not be added to any third party search indexes.

My dissertation, "Postsocialist Collectivities: Institutions, Aesthetics, Politics in the Sinophone Novel" examines the concept of collectivity in the modern fiction of China, Taiwan, and Chinese Malaysia. The dissertation shows how the history of economic postsocialism, institutional change, and literary form interact to produce a complex sense of "collectivity" for authors in the Chinese diaspora. It links the changes in fictional collectivity to the outgoing tide of socialist practices in the People's Republic of China after the Cultural Revolution. In its respective chapters, "Postsocialist Collectivities" offers close readings of novels by Mo Yan (China), Luo Yijun (Taiwan), and Li Zishu (Malaysia), written between 1976 to 2010, a period in which capitalism consolidated its power over formerly socialist places. Drawing on sociology, political theory, poststructuralism, queer theory, postsocialist literary and cultural criticism, I argue that the imagination of collectivity in the Sinophone novel expands the conceptual valences of postsocialism to include the temporally uneven experience of socialism stretched across geographies. By joining postsocialism with the Sinophone, my project provides a temporal-spatial approach to literary and political cultures that contributes to the fields of Asian Studies, postcolonialism and diasporic studies.

ISBN: 9781369626155Subjects--Topical Terms:

570001
Comparative literature.
Subjects--Index Terms:

China

Postsocialist collectivites: Institutions, aesthetics, politics in the Sinophone novel.
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245 1 0 $a Postsocialist collectivites: Institutions, aesthetics, politics in the Sinophone novel.
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300 $a 327 p.
500 $a Source: Dissertations Abstracts International, Volume: 78-09, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Hayot, Eric R.
502 $a Thesis (Ph.D.)--The Pennsylvania State University, 2016.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a My dissertation, "Postsocialist Collectivities: Institutions, Aesthetics, Politics in the Sinophone Novel" examines the concept of collectivity in the modern fiction of China, Taiwan, and Chinese Malaysia. The dissertation shows how the history of economic postsocialism, institutional change, and literary form interact to produce a complex sense of "collectivity" for authors in the Chinese diaspora. It links the changes in fictional collectivity to the outgoing tide of socialist practices in the People's Republic of China after the Cultural Revolution. In its respective chapters, "Postsocialist Collectivities" offers close readings of novels by Mo Yan (China), Luo Yijun (Taiwan), and Li Zishu (Malaysia), written between 1976 to 2010, a period in which capitalism consolidated its power over formerly socialist places. Drawing on sociology, political theory, poststructuralism, queer theory, postsocialist literary and cultural criticism, I argue that the imagination of collectivity in the Sinophone novel expands the conceptual valences of postsocialism to include the temporally uneven experience of socialism stretched across geographies. By joining postsocialism with the Sinophone, my project provides a temporal-spatial approach to literary and political cultures that contributes to the fields of Asian Studies, postcolonialism and diasporic studies.
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