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Chinese independent documentary film...

Zhan, Xinhui.

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Chinese independent documentary films: Vocalizing the "bottom" of Chinese society.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Chinese independent documentary films: Vocalizing the "bottom" of Chinese society./
Author:	Zhan, Xinhui.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:	49 p.
Notes:	Source: Masters Abstracts International, Volume: 78-02.
Contained By:	Masters Abstracts International78-02.
Subject:	Film studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10127656
ISBN:	9781339856889

Chinese independent documentary films: Vocalizing the "bottom" of Chinese society.
Zhan, Xinhui.

Chinese independent documentary films: Vocalizing the "bottom" of Chinese society. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 49 p.

Source: Masters Abstracts International, Volume: 78-02.

Thesis (M.F.A.)--State University of New York at Buffalo, 2016.

This item must not be sold to any third party vendors.

This thesis briefly reviews the history of Chinese independent documentary film; in particular, it focuses on the documentary films that take "the bottom" of Chinese society as a prominent subject. My thesis critically examines the theme, the contents of particular subjects, the methods and the theoretical style of two featured independent documentaries--- Bumming in Beijing: the Last Dreamer (1990) and Last Train Home (2009). On that basis, it proceeds to discuss how the "bottom" of Chinese society has been represented as a "vocalized community" in independent documentaries. The thesis concludes that the independent documentary becomes a stage for filmmakers to uncover social issues within the "bottom" of China.

ISBN: 9781339856889Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

Chinese independent films

Chinese independent documentary films: Vocalizing the "bottom" of Chinese society.
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506 $a This item must not be sold to any third party vendors.
520 $a This thesis briefly reviews the history of Chinese independent documentary film; in particular, it focuses on the documentary films that take "the bottom" of Chinese society as a prominent subject. My thesis critically examines the theme, the contents of particular subjects, the methods and the theoretical style of two featured independent documentaries--- Bumming in Beijing: the Last Dreamer (1990) and Last Train Home (2009). On that basis, it proceeds to discuss how the "bottom" of Chinese society has been represented as a "vocalized community" in independent documentaries. The thesis concludes that the independent documentary becomes a stage for filmmakers to uncover social issues within the "bottom" of China.
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