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The Shaping of Time in Kaija Saariah...

Diaz Garcia, Maria Mercedes.

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The Shaping of Time in Kaija Saariaho's Emilie: A Performer's Perspective.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Shaping of Time in Kaija Saariaho's Emilie: A Performer's Perspective./
Author:	Diaz Garcia, Maria Mercedes.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	80 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-10, Section: A.
Contained By:	Dissertations Abstracts International81-10A.
Subject:	Musical composition. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27981033
ISBN:	9798607322328

The Shaping of Time in Kaija Saariaho's Emilie: A Performer's Perspective.
Diaz Garcia, Maria Mercedes.

The Shaping of Time in Kaija Saariaho's Emilie: A Performer's Perspective. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 80 p.

Source: Dissertations Abstracts International, Volume: 81-10, Section: A.

Thesis (D.M.A.)--Bowling Green State University, 2020.

This item must not be sold to any third party vendors.

This document examines the ways in which Kaija Saariaho uses texture and timbre to shape time in her 2008 opera, Emilie. Building on ideas about musical time as described by Jonathan Kramer in his book The Time of Music: New Meanings, New Temporalities, New Listening Strategies (1988), such as moment time, linear time, and multiply-directed time, I identify and explain how Saariaho creates linearity and non-linearity in Emilie and address issues about timbral tension/release that are used both structurally and ornamentally. I present a conceptual framework reflecting on my performance choices that can be applied in a general approach to non-tonal music performance. This paper intends to be an aid for performers, in particular conductors, when approaching contemporary compositions where composers use the polarity between tension and release to create the perception of goal-oriented flow in the music.

ISBN: 9798607322328Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

Shaping of time in contemporary music

The Shaping of Time in Kaija Saariaho's Emilie: A Performer's Perspective.
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506 $a This item must not be sold to any third party vendors.
520 $a This document examines the ways in which Kaija Saariaho uses texture and timbre to shape time in her 2008 opera, Emilie. Building on ideas about musical time as described by Jonathan Kramer in his book The Time of Music: New Meanings, New Temporalities, New Listening Strategies (1988), such as moment time, linear time, and multiply-directed time, I identify and explain how Saariaho creates linearity and non-linearity in Emilie and address issues about timbral tension/release that are used both structurally and ornamentally. I present a conceptual framework reflecting on my performance choices that can be applied in a general approach to non-tonal music performance. This paper intends to be an aid for performers, in particular conductors, when approaching contemporary compositions where composers use the polarity between tension and release to create the perception of goal-oriented flow in the music.
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653 $a Contemporary performance
653 $a Orchestra conducting
653 $a Saariaho, Kaija
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