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Finding a Voice: Post-Revolutionary ...

Mendoza, Juan Carlos.

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Finding a Voice: Post-Revolutionary Song Cycles of Mexico.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Finding a Voice: Post-Revolutionary Song Cycles of Mexico./
Author:	Mendoza, Juan Carlos.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	75 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-02, Section: A.
Contained By:	Dissertations Abstracts International82-02A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27956379
ISBN:	9798662495364

Finding a Voice: Post-Revolutionary Song Cycles of Mexico.
Mendoza, Juan Carlos.

Finding a Voice: Post-Revolutionary Song Cycles of Mexico. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 75 p.

Source: Dissertations Abstracts International, Volume: 82-02, Section: A.

Thesis (D.M.A.)--The University of Iowa, 2020.

This item must not be sold to any third party vendors.

I completed this DMA Recording Project to familiarize the English-speaking audience with the vocal music of Mexico, which is relatively unknown in the United States. The research and recording focuses on song cycles composed in the decades following the Mexican Revolution (1910-1920), a period in the country's history that drastically changed the political and cultural climate in Mexico. The included composers expanded on European compositional styles to create their own identity as Mexican composers. They infused modality, harmonic dissonance, and polytonality into impressionism and romanticism to highlight the meaning of the poetry they chose to set.I recorded Tres canciones espanolas by Roberto Banuelas, Marinero en tierra by Rodolfo Halffter, Canciones al estilo de mi tierra by Eduardo Hernandez Moncada, Seis poemas arcaicos and Tres poemas de M. Brull by Manuel M. Ponce, Cuatro canciones de amor by Luis Sandi, and Dibujos sobre un puerto by Jose Rolon.This essay provides a brief biographical portrait of each composer, an interpretive analysis of each song cycle, and offers original translations as a reference tool for performers and educators.

ISBN: 9798662495364Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Art song

Finding a Voice: Post-Revolutionary Song Cycles of Mexico.
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500 $a Source: Dissertations Abstracts International, Volume: 82-02, Section: A.
500 $a Advisor: Muriello, John.
502 $a Thesis (D.M.A.)--The University of Iowa, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a I completed this DMA Recording Project to familiarize the English-speaking audience with the vocal music of Mexico, which is relatively unknown in the United States. The research and recording focuses on song cycles composed in the decades following the Mexican Revolution (1910-1920), a period in the country's history that drastically changed the political and cultural climate in Mexico. The included composers expanded on European compositional styles to create their own identity as Mexican composers. They infused modality, harmonic dissonance, and polytonality into impressionism and romanticism to highlight the meaning of the poetry they chose to set.I recorded Tres canciones espanolas by Roberto Banuelas, Marinero en tierra by Rodolfo Halffter, Canciones al estilo de mi tierra by Eduardo Hernandez Moncada, Seis poemas arcaicos and Tres poemas de M. Brull by Manuel M. Ponce, Cuatro canciones de amor by Luis Sandi, and Dibujos sobre un puerto by Jose Rolon.This essay provides a brief biographical portrait of each composer, an interpretive analysis of each song cycle, and offers original translations as a reference tool for performers and educators.
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