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Interpreting Musical Character in th...

Penley, Miranda C.

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Interpreting Musical Character in the Dances of Seventeenth-Century ballets de cour.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Interpreting Musical Character in the Dances of Seventeenth-Century ballets de cour./
Author:	Penley, Miranda C.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	100 p.
Notes:	Source: Masters Abstracts International, Volume: 82-02.
Contained By:	Masters Abstracts International82-02.
Subject:	Music history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27830406
ISBN:	9798662459304

Interpreting Musical Character in the Dances of Seventeenth-Century ballets de cour.
Penley, Miranda C.

Interpreting Musical Character in the Dances of Seventeenth-Century ballets de cour. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 100 p.

Source: Masters Abstracts International, Volume: 82-02.

Thesis (M.M.)--The Florida State University, 2020.

This item must not be sold to any third party vendors.

Since their inception in the late sixteenth century, French ballets de cour traditions have drawn characters from sources that include commedia dell'arte, Greek mythology, and fairy tales. These source materials have affected the stage presentation of characters in productions, including how they are costumed and what kinds of dances they perform. Dances and dance music for ballet de cour are also intimately connected with French court dance movement and music, including notions of character and affect associated with each dance. This thesis seeks to examine the interaction of music and physical elements involved in the creation of seventeenth-century theatrical character dances, including dance music, dance movement, and appropriate costuming. By examining theories of affect and embodied cognition with respect to common character archetypes, costuming, and musical storytelling devices, it is possible to form a connection between musical elements and theatrical personas. Musicians can subsequently use these connections to inform their performances of Baroque music for ballet de cour and other seventeenth-century French theatrical performances.

ISBN: 9798662459304Subjects--Topical Terms:

3342382
Music history.
Subjects--Index Terms:

Ballet de cour

Interpreting Musical Character in the Dances of Seventeenth-Century ballets de cour.
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300 $a 100 p.
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520 $a Since their inception in the late sixteenth century, French ballets de cour traditions have drawn characters from sources that include commedia dell'arte, Greek mythology, and fairy tales. These source materials have affected the stage presentation of characters in productions, including how they are costumed and what kinds of dances they perform. Dances and dance music for ballet de cour are also intimately connected with French court dance movement and music, including notions of character and affect associated with each dance. This thesis seeks to examine the interaction of music and physical elements involved in the creation of seventeenth-century theatrical character dances, including dance music, dance movement, and appropriate costuming. By examining theories of affect and embodied cognition with respect to common character archetypes, costuming, and musical storytelling devices, it is possible to form a connection between musical elements and theatrical personas. Musicians can subsequently use these connections to inform their performances of Baroque music for ballet de cour and other seventeenth-century French theatrical performances.
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