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Combating Racial Bias in Art Museums.

Carter, Lakeia D.

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Combating Racial Bias in Art Museums.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Combating Racial Bias in Art Museums./
Author:	Carter, Lakeia D.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	69 p.
Notes:	Source: Masters Abstracts International, Volume: 80-05.
Contained By:	Masters Abstracts International80-05.
Subject:	African American Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10973407
ISBN:	9780438534025

Combating Racial Bias in Art Museums.
Carter, Lakeia D.

Combating Racial Bias in Art Museums. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 69 p.

Source: Masters Abstracts International, Volume: 80-05.

Thesis (M.A.)--Drexel University, 2018.

This item must not be sold to any third party vendors.

American art museum collections and exhibitions are powerful cultural instruments. These institutions have particular significance for Black Americans because of the longstanding marginalization or outright exclusion of Black art in most mainstream museums. In this thesis I examine current efforts to correct this history of marginalization. The thesis consists of a short historical overview and the transcripts of interviews conducted with four individuals from four different generations who are deeply involved in the contemporary Black arts community and who have successfully deployed tactics to combat racial bias in American art museums. The interviewees are collector E. T. Williams Jr.; artist and gallerist Daniel Simmons Jr.; auction house employee Nigel Freeman and curator Noah Smalls.

ISBN: 9780438534025Subjects--Topical Terms:

1669123
African American Studies.

Combating Racial Bias in Art Museums.
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500 $a Source: Masters Abstracts International, Volume: 80-05.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Vakharia, Neville.
502 $a Thesis (M.A.)--Drexel University, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a American art museum collections and exhibitions are powerful cultural instruments. These institutions have particular significance for Black Americans because of the longstanding marginalization or outright exclusion of Black art in most mainstream museums. In this thesis I examine current efforts to correct this history of marginalization. The thesis consists of a short historical overview and the transcripts of interviews conducted with four individuals from four different generations who are deeply involved in the contemporary Black arts community and who have successfully deployed tactics to combat racial bias in American art museums. The interviewees are collector E. T. Williams Jr.; artist and gallerist Daniel Simmons Jr.; auction house employee Nigel Freeman and curator Noah Smalls.
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