東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

South African Festivals in the Unite...

Ndzuta, Akhona Amanda.

Linked to FindBook

Google Book

Amazon

博客來

South African Festivals in the United States: An Expression of Policies, Power and Networks.

Record Type:	Electronic resources : Monograph/item
Title/Author:	South African Festivals in the United States: An Expression of Policies, Power and Networks./
Author:	Ndzuta, Akhona Amanda.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	416 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
Contained By:	Dissertations Abstracts International81-02A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27525231
ISBN:	9781085580571

South African Festivals in the United States: An Expression of Policies, Power and Networks.
Ndzuta, Akhona Amanda.

South African Festivals in the United States: An Expression of Policies, Power and Networks. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 416 p.

Source: Dissertations Abstracts International, Volume: 81-02, Section: A.

Thesis (Ph.D.)--The Ohio State University, 2019.

This item must not be sold to any third party vendors.

This research is a qualitative case study of two festivals that showcased South African music in the USA: the South African Arts Festival which took place in downtown Los Angeles in 2013, and the Ubuntu Festival which was staged at Carnegie Hall in New York in 2014. At both festivals, South African government entities such as the Department of Arts and Culture (DAC), as well as the Department of International Relations and Cooperation (DIRCO) were involved. Due to the cultural, economic and other mandates of these departments, broader South African government policy interests were inadvertently represented on foreign soil. The other implication is that since South African culture was central to these events, it was also key to promoting these acultural policy interests. What this research sets out to do is to explore how these festivals promote the interests of South African musicians while furthering South African government interests, and how policy was an enabler of such an execution.

ISBN: 9781085580571Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Festivals

South African Festivals in the United States: An Expression of Policies, Power and Networks.
LDR:02550nmm a2200505 4500 001 2269865
005 20200921070347.5
008 220629s2019 ||||||||||||||||| ||eng d
020 $a 9781085580571
035 $a (MiAaPQ)AAI27525231
035 $a (MiAaPQ)OhioLINKosu1554903391508711
035 $a AAI27525231
040 $a MiAaPQ $c MiAaPQ
100 1 $a Ndzuta, Akhona Amanda. $3 3547217
245 1 0 $a South African Festivals in the United States: An Expression of Policies, Power and Networks.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 416 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
500 $a Advisor: Wyszomirski, Margaret Jane.
502 $a Thesis (Ph.D.)--The Ohio State University, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a This research is a qualitative case study of two festivals that showcased South African music in the USA: the South African Arts Festival which took place in downtown Los Angeles in 2013, and the Ubuntu Festival which was staged at Carnegie Hall in New York in 2014. At both festivals, South African government entities such as the Department of Arts and Culture (DAC), as well as the Department of International Relations and Cooperation (DIRCO) were involved. Due to the cultural, economic and other mandates of these departments, broader South African government policy interests were inadvertently represented on foreign soil. The other implication is that since South African culture was central to these events, it was also key to promoting these acultural policy interests. What this research sets out to do is to explore how these festivals promote the interests of South African musicians while furthering South African government interests, and how policy was an enabler of such an execution.
590 $a School code: 0168.
650 4 $a Music. $3 516178
650 4 $a International relations. $3 531762
650 4 $a Cultural resources management. $3 2122774
650 4 $a Arts management. $3 3168382
653 $a Festivals
653 $a Cultural Policy
653 $a South African Cultural Policy
653 $a Cultural Diplomacy
653 $a Cultural Instrumentalism
653 $a South African Music
653 $a Foreign Policy
653 $a Ubuntu
653 $a Carnegie Hall
653 $a South African Arts Festival
653 $a International Festivals
690 $a 0630
690 $a 0413
690 $a 0654
690 $a 0814
690 $a 0436
690 $a 0601
690 $a 0424
710 2 $a The Ohio State University. $b Arts Administration, Education and Policy. $3 3193837
773 0 $t Dissertations Abstracts International $g 81-02A.
790 $a 0168
791 $a Ph.D.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27525231