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Sculpting the Soul: The Bust Portrai...

Schuck, Jason Thomas.

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Sculpting the Soul: The Bust Portraiture of Gian Lorenzo Bernini.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sculpting the Soul: The Bust Portraiture of Gian Lorenzo Bernini./
Author:	Schuck, Jason Thomas.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	58 p.
Notes:	Source: Masters Abstracts International, Volume: 81-04.
Contained By:	Masters Abstracts International81-04.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13886858
ISBN:	9781687962690

Sculpting the Soul: The Bust Portraiture of Gian Lorenzo Bernini.
Schuck, Jason Thomas.

Sculpting the Soul: The Bust Portraiture of Gian Lorenzo Bernini. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 58 p.

Source: Masters Abstracts International, Volume: 81-04.

Thesis (M.A.)--State University of New York at Stony Brook, 2019.

This item must not be sold to any third party vendors.

Gian Lorenzo Bernini's portraits are often celebrated for their physiological rendering and for possessing an inner psychological presence that captured the essential characteristics of each sitter. In his Trattato della Pittura, Leonardo da Vinci wrote that any successful artist should be able to accurately depict man's bodily form as well as the intentions of his mind. For Leonardo, this mental movement could only be achieved through the physical expression of the human body. Traditionally, Bernini is considered the artistic heir of Michelangelo Buonarroti while the link to Leonardo's theoretical writings has yet to be firmly established. By shifting the focus to Leonardo, this paper broadens the sources of influence on Bernini while establishing a dialogue on how art theory informed his creative practice. Excerpts from Leonardo's Trattato della Pittura are interpreted and applied to the analysis of select busts by Bernini in order to reveal how the sculptor expressed the inner movements of his sitter's soul in stone. These portraits span Bernini's creative career and are used to track the development of his theoretical approach to his artistic practice.

ISBN: 9781687962690Subjects--Topical Terms:

2122701
Art history.

Sculpting the Soul: The Bust Portraiture of Gian Lorenzo Bernini.
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245 1 0 $a Sculpting the Soul: The Bust Portraiture of Gian Lorenzo Bernini.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 58 p.
500 $a Source: Masters Abstracts International, Volume: 81-04.
500 $a Advisor: Lloyd, Karen J.
502 $a Thesis (M.A.)--State University of New York at Stony Brook, 2019.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a Gian Lorenzo Bernini's portraits are often celebrated for their physiological rendering and for possessing an inner psychological presence that captured the essential characteristics of each sitter. In his Trattato della Pittura, Leonardo da Vinci wrote that any successful artist should be able to accurately depict man's bodily form as well as the intentions of his mind. For Leonardo, this mental movement could only be achieved through the physical expression of the human body. Traditionally, Bernini is considered the artistic heir of Michelangelo Buonarroti while the link to Leonardo's theoretical writings has yet to be firmly established. By shifting the focus to Leonardo, this paper broadens the sources of influence on Bernini while establishing a dialogue on how art theory informed his creative practice. Excerpts from Leonardo's Trattato della Pittura are interpreted and applied to the analysis of select busts by Bernini in order to reveal how the sculptor expressed the inner movements of his sitter's soul in stone. These portraits span Bernini's creative career and are used to track the development of his theoretical approach to his artistic practice.
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