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A New Piano Reduction of the Glazuno...

Kim, Olga.

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A New Piano Reduction of the Glazunov Concerto for Violin and Orchestra in A Minor Op. 82.

Record Type:	Electronic resources : Monograph/item
Title/Author:	A New Piano Reduction of the Glazunov Concerto for Violin and Orchestra in A Minor Op. 82./
Author:	Kim, Olga.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	131 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-11, Section: A.
Contained By:	Dissertations Abstracts International80-11A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13865546
ISBN:	9781392142080

A New Piano Reduction of the Glazunov Concerto for Violin and Orchestra in A Minor Op. 82.
Kim, Olga.

A New Piano Reduction of the Glazunov Concerto for Violin and Orchestra in A Minor Op. 82. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 131 p.

Source: Dissertations Abstracts International, Volume: 80-11, Section: A.

Thesis (D.M.A.)--Arizona State University, 2019.

This item must not be added to any third party search indexes.

Every collaborative pianist encounters unrealistic and unsuccessful piano reductions of orchestral and operatic compositions on a regular basis. In some cases, the reductions were realized by the composers themselves, and therefore may contain all the notes from the full score, but might not be realistic piano reductions. Other times, the reductions may have been made by an editor who might arrange the piano part according to their own physical abilities, experience, or taste, but might ignore essential elements of the original orchestration. Alexander Glazunov's Concerto for Violin and Orchestra, Op. 82 is frequently performed by students and professional violinists alike. The existing piano reduction of the concerto was written by the composer himself. However, the reduction has various issues that make performing this composition challenging for pianists. The main purpose of this paper is not the simplification of the existing reduction, but the creation of a new reduction that is more pianistic and approachable, yet more true to Glazunov's dynamic and expressive orchestration. The first chapter of this project is an introduction to and comparison of currently available editions. An overview of the composer's biography and the historical background of the composition comprise the second chapter. Chapters three, four and five are dedicated to each respective movement of the concerto, with explanations and details about certain editorial decisions. The appendix features a new piano reduction of Glazunov's Violin Concerto in its entirety.

ISBN: 9781392142080Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Concerto

A New Piano Reduction of the Glazunov Concerto for Violin and Orchestra in A Minor Op. 82.
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245 1 0 $a A New Piano Reduction of the Glazunov Concerto for Violin and Orchestra in A Minor Op. 82.
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506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a Every collaborative pianist encounters unrealistic and unsuccessful piano reductions of orchestral and operatic compositions on a regular basis. In some cases, the reductions were realized by the composers themselves, and therefore may contain all the notes from the full score, but might not be realistic piano reductions. Other times, the reductions may have been made by an editor who might arrange the piano part according to their own physical abilities, experience, or taste, but might ignore essential elements of the original orchestration. Alexander Glazunov's Concerto for Violin and Orchestra, Op. 82 is frequently performed by students and professional violinists alike. The existing piano reduction of the concerto was written by the composer himself. However, the reduction has various issues that make performing this composition challenging for pianists. The main purpose of this paper is not the simplification of the existing reduction, but the creation of a new reduction that is more pianistic and approachable, yet more true to Glazunov's dynamic and expressive orchestration. The first chapter of this project is an introduction to and comparison of currently available editions. An overview of the composer's biography and the historical background of the composition comprise the second chapter. Chapters three, four and five are dedicated to each respective movement of the concerto, with explanations and details about certain editorial decisions. The appendix features a new piano reduction of Glazunov's Violin Concerto in its entirety.
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