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J.S. Bach's Chaconne for Solo Violin...
~
Abraham, Immanuel Tzemach.
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J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.
Record Type:
Electronic resources : Monograph/item
Title/Author:
J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation./
Author:
Abraham, Immanuel Tzemach.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:
109 p.
Notes:
Source: Dissertations Abstracts International, Volume: 80-08, Section: A.
Contained By:
Dissertations Abstracts International80-08A.
Subject:
Musical composition. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13426371
ISBN:
9780438812604
J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.
Abraham, Immanuel Tzemach.
J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 109 p.
Source: Dissertations Abstracts International, Volume: 80-08, Section: A.
Thesis (D.M.A.)--The University of Arizona, 2018.
This item must not be sold to any third party vendors.
The thesis of this document comprises two parts. The first demonstrates that recomposing Bach's Chaconne has formed an interpretive tradition among performer-composers over the past one hundred eighty years. The second is dependent upon the first, and explicates how this tradition may be methodically used by performer-composers interpreting Bach's Chaconne upon the unaccompanied modern violin. A comprehensive realization of this thesis has been arranged by the author in a complete, annotated score following the document's conclusions.
ISBN: 9780438812604Subjects--Topical Terms:
3289630
Musical composition.
Subjects--Index Terms:
Abraham, Immanuel
J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.
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The thesis of this document comprises two parts. The first demonstrates that recomposing Bach's Chaconne has formed an interpretive tradition among performer-composers over the past one hundred eighty years. The second is dependent upon the first, and explicates how this tradition may be methodically used by performer-composers interpreting Bach's Chaconne upon the unaccompanied modern violin. A comprehensive realization of this thesis has been arranged by the author in a complete, annotated score following the document's conclusions.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13426371
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