東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

On War Photography.

Naylor, Sharain Sasheir.

Linked to FindBook

Google Book

Amazon

博客來

On War Photography.

Record Type:	Electronic resources : Monograph/item
Title/Author:	On War Photography./
Author:	Naylor, Sharain Sasheir.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	319 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-05, Section: A.
Contained By:	Dissertations Abstracts International80-05A.
Subject:	Multimedia Communications. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=11008599
ISBN:	9780438615311

On War Photography.
Naylor, Sharain Sasheir.

On War Photography. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 319 p.

Source: Dissertations Abstracts International, Volume: 80-05, Section: A.

Thesis (Ph.D.)--University of Hawai'i at Manoa, 2018.

This item must not be sold to any third party vendors.

This dissertation theorizes war photography in order to first determine what war photography is, and then, how war photography contributes to our knowledge of militarism and nationalism. The primary questions include: What is war photography? How is it used to create meaning? What can it do (politically)? How is it used to create histories and store memory? How do its affective flows provoke and distribute emotion and feeling? Where can it be found? The research is concerned not only with the photographs of war, but also images of militarism and securitization. Historic and current practices and theorizations of photography are examined to develop new ways of thinking and seeing politically what photographs can do and how photographs shape the intelligibility of war effects. Studying war photography is one method of studying war and militarism. This dissertation considers what photographic visual representations tell us about war, how we think about war, and how we think of ourselves as a nation through the practice of visually recording and circulating particular images of war. Other questions explored across the chapters concern how we ethically read and understand these images. What does an ethical looking/viewing of war photographs consider? This is a study of war through photography and the art of photographic processes and considers how the visual practice of photography bounds our knowledge of war and militarism, and how these images produce/construct/maintain historical memory.

ISBN: 9780438615311Subjects--Topical Terms:

1057801
Multimedia Communications.
Subjects--Index Terms:

Gesture

On War Photography.
LDR:02705nmm a2200385 4500 001 2268499
005 20200824072318.5
008 220629s2018 ||||||||||||||||| ||eng d
020 $a 9780438615311
035 $a (MiAaPQ)AAI11008599
035 $a AAI11008599
040 $a MiAaPQ $c MiAaPQ
100 1 $a Naylor, Sharain Sasheir. $3 3545785
245 1 0 $a On War Photography.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 319 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-05, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
502 $a Thesis (Ph.D.)--University of Hawai'i at Manoa, 2018.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a This dissertation theorizes war photography in order to first determine what war photography is, and then, how war photography contributes to our knowledge of militarism and nationalism. The primary questions include: What is war photography? How is it used to create meaning? What can it do (politically)? How is it used to create histories and store memory? How do its affective flows provoke and distribute emotion and feeling? Where can it be found? The research is concerned not only with the photographs of war, but also images of militarism and securitization. Historic and current practices and theorizations of photography are examined to develop new ways of thinking and seeing politically what photographs can do and how photographs shape the intelligibility of war effects. Studying war photography is one method of studying war and militarism. This dissertation considers what photographic visual representations tell us about war, how we think about war, and how we think of ourselves as a nation through the practice of visually recording and circulating particular images of war. Other questions explored across the chapters concern how we ethically read and understand these images. What does an ethical looking/viewing of war photographs consider? This is a study of war through photography and the art of photographic processes and considers how the visual practice of photography bounds our knowledge of war and militarism, and how these images produce/construct/maintain historical memory.
590 $a School code: 0085.
650 4 $a Multimedia Communications. $3 1057801
650 4 $a International Relations. $3 895651
650 4 $a Political science. $3 528916
653 $a Gesture
653 $a International relations
653 $a Militarism
653 $a Visual politics
653 $a War photography
690 $a 0558
690 $a 0601
690 $a 0615
710 2 $a University of Hawai'i at Manoa. $b Political Science. $3 2093780
773 0 $t Dissertations Abstracts International $g 80-05A.
790 $a 0085
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=11008599