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Summary of Dissertation Recitals Thr...
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Canon Riveros, Cesar E.
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Summary of Dissertation Recitals Three Programs of Collaborative Piano Music.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Summary of Dissertation Recitals Three Programs of Collaborative Piano Music./
Author:
Canon Riveros, Cesar E.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:
28 p.
Notes:
Source: Dissertations Abstracts International, Volume: 80-07, Section: A.
Contained By:
Dissertations Abstracts International80-07A.
Subject:
Musical performances. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=11006872
ISBN:
9780438594678
Summary of Dissertation Recitals Three Programs of Collaborative Piano Music.
Canon Riveros, Cesar E.
Summary of Dissertation Recitals Three Programs of Collaborative Piano Music.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 28 p.
Source: Dissertations Abstracts International, Volume: 80-07, Section: A.
Thesis (A.Mus.D.)--University of Michigan, 2018.
This item must not be added to any third party search indexes.
Three collaborative piano recitals were performed in lieu of a written dissertation. The repertoire and themes of these recitals aimed to connect with audiences through immersive storytelling and musical depictions of many stages of the human experience. The first recital, titled "Homages and Offerings," contained works by Francis Poulenc, Maurice Ravel, Aaron Copland, and Dmitri Shostakovich. Each work in this program was dedicated by its composer to a close friend, either as a gift or as an homage to their memory. The second recital featured Johannes Brahms's set of fifteen Romanzen aus Tiecks Magelone, accompanied by an abridged English narration of Ludwig Tieck's novella, Liebesgeschichte der schonen Magelone und des Grafen Peter von Provence. The final recital was a lecture-recital titled "Melologue: Exploring Spoken Recitation and Music as a Mixed Performance Art." It explored the genre of melodrama and featured works composed for spoken recitation and piano. Tuesday, October 31, 2017, 7:30 p.m.; Moore Building, Britton Recital Hall, University of Michigan. Joshua Anderson, clarinet; Christine Harada Li & Heewon Uhm, violins; Nathaniel Pierce, cello. Francis Poulenc, Sonata for Clarinet and Piano; Maurice Ravel, Sonate pour violon et piano; Aaron Copland, "Prelude," from the Symphony for Organ and Orchestra; Dmitri Shostakovich, Trio No. 2 in E minor, Op. 67. Sunday, December 3, 2017, 7:30 p.m.; Moore Building, McIntosh Theatre, University of Michigan. John Daugherty, baritone; George Shirley, narrator; Margaret Tigue, soprano; Sedona Libero, mezzo-soprano. Johannes Brahms, 15 Romanzen aus L. Tiecks Magelone, Op. 33. Thursday, March 22, 2018, 6:30 p.m.; Osher Salon, San Francisco Conservatory of Music. Christian Pursell & Sonya Schumann, narrators. Franz Schubert, Abschied von der Erde, D. 829; Robert Schumann, "The Fugitives" from 2 Balladen, Op. 122; Franz Liszt, The Sorrowful Monk, S. 348; Richard Strauss, The Castle by the Sea; Anton Arensky, "How Beautiful were once the Roses" from 3 Declamations, Op. 68; Max Heinrich, The Raven, Op. 15; Francis Poulenc, "Wedding and Party Scene" from L'histoire de Babar, FP 129.
ISBN: 9780438594678Subjects--Topical Terms:
3175508
Musical performances.
Subjects--Index Terms:
Summary of dissertation recitals. three programs of collaborative piano music
Summary of Dissertation Recitals Three Programs of Collaborative Piano Music.
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Three collaborative piano recitals were performed in lieu of a written dissertation. The repertoire and themes of these recitals aimed to connect with audiences through immersive storytelling and musical depictions of many stages of the human experience. The first recital, titled "Homages and Offerings," contained works by Francis Poulenc, Maurice Ravel, Aaron Copland, and Dmitri Shostakovich. Each work in this program was dedicated by its composer to a close friend, either as a gift or as an homage to their memory. The second recital featured Johannes Brahms's set of fifteen Romanzen aus Tiecks Magelone, accompanied by an abridged English narration of Ludwig Tieck's novella, Liebesgeschichte der schonen Magelone und des Grafen Peter von Provence. The final recital was a lecture-recital titled "Melologue: Exploring Spoken Recitation and Music as a Mixed Performance Art." It explored the genre of melodrama and featured works composed for spoken recitation and piano. Tuesday, October 31, 2017, 7:30 p.m.; Moore Building, Britton Recital Hall, University of Michigan. Joshua Anderson, clarinet; Christine Harada Li & Heewon Uhm, violins; Nathaniel Pierce, cello. Francis Poulenc, Sonata for Clarinet and Piano; Maurice Ravel, Sonate pour violon et piano; Aaron Copland, "Prelude," from the Symphony for Organ and Orchestra; Dmitri Shostakovich, Trio No. 2 in E minor, Op. 67. Sunday, December 3, 2017, 7:30 p.m.; Moore Building, McIntosh Theatre, University of Michigan. John Daugherty, baritone; George Shirley, narrator; Margaret Tigue, soprano; Sedona Libero, mezzo-soprano. Johannes Brahms, 15 Romanzen aus L. Tiecks Magelone, Op. 33. Thursday, March 22, 2018, 6:30 p.m.; Osher Salon, San Francisco Conservatory of Music. Christian Pursell & Sonya Schumann, narrators. Franz Schubert, Abschied von der Erde, D. 829; Robert Schumann, "The Fugitives" from 2 Balladen, Op. 122; Franz Liszt, The Sorrowful Monk, S. 348; Richard Strauss, The Castle by the Sea; Anton Arensky, "How Beautiful were once the Roses" from 3 Declamations, Op. 68; Max Heinrich, The Raven, Op. 15; Francis Poulenc, "Wedding and Party Scene" from L'histoire de Babar, FP 129.
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