東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Borderline Research Histories of Art...

Welch, Adam Douglas Swinton.

Linked to FindBook

Google Book

Amazon

博客來

Borderline Research Histories of Art between Canada and the United States, c. 1965-1975.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Borderline Research Histories of Art between Canada and the United States, c. 1965-1975./
Author:	Welch, Adam Douglas Swinton.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	509 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Contained By:	Dissertations Abstracts International81-04A.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10976856
ISBN:	9781085756723

Borderline Research Histories of Art between Canada and the United States, c. 1965-1975.
Welch, Adam Douglas Swinton.

Borderline Research Histories of Art between Canada and the United States, c. 1965-1975. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 509 p.

Source: Dissertations Abstracts International, Volume: 81-04, Section: A.

Thesis (Ph.D.)--University of Toronto (Canada), 2019.

This item must not be sold to any third party vendors.

Taking General Idea's "Borderline Research" request, which appeared in the first issue of FILE Megazine (1972), as a model, this dissertation presents a composite set of histories. Through a comparative case approach, I present eight scenes which register and enact larger political, social, and aesthetic tendencies in art between Canada and the United States from 1965 to 1975. These cases include Jack Bush's relationship with the critic Clement Greenberg; Brydon Smith's first decade as curator at the National Gallery of Canada (1967-1975); the exhibition New York 13 (1969) at the Vancouver Art Gallery; Greg Curnoe's debt to New York Neo-dada; Joyce Wieland living in New York and making work for exhibition in Toronto (1962-1972); Barry Lord and Gail Dexter's involvement with the Canadian Liberation Movement (1970-1975); the use of surrogates and copies at the Nova Scotia College of Art and Design (1967-1972); and the Eternal Network performance event, Decca Dance, in Los Angeles (1974). Relying heavily on my work in institutional archives, artists' fonds, and research interviews, I establish chronologies and describe events. By the close of my study, in the mid-1970s, the movement of art and ideas was eased between Canada and the United States, anticipating the advent of a globalized art world.

ISBN: 9781085756723Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Art

Borderline Research Histories of Art between Canada and the United States, c. 1965-1975.
LDR:02714nmm a2200469 4500 001 2268306
005 20200824072204.5
008 220629s2019 ||||||||||||||||| ||eng d
020 $a 9781085756723
035 $a (MiAaPQ)AAI10976856
035 $a AAI10976856
040 $a MiAaPQ $c MiAaPQ
100 1 $a Welch, Adam Douglas Swinton. $3 3545579
245 1 0 $a Borderline Research Histories of Art between Canada and the United States, c. 1965-1975.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 509 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
500 $a Advisor: Legge, Elizabeth.
502 $a Thesis (Ph.D.)--University of Toronto (Canada), 2019.
506 $a This item must not be sold to any third party vendors.
520 $a Taking General Idea's "Borderline Research" request, which appeared in the first issue of FILE Megazine (1972), as a model, this dissertation presents a composite set of histories. Through a comparative case approach, I present eight scenes which register and enact larger political, social, and aesthetic tendencies in art between Canada and the United States from 1965 to 1975. These cases include Jack Bush's relationship with the critic Clement Greenberg; Brydon Smith's first decade as curator at the National Gallery of Canada (1967-1975); the exhibition New York 13 (1969) at the Vancouver Art Gallery; Greg Curnoe's debt to New York Neo-dada; Joyce Wieland living in New York and making work for exhibition in Toronto (1962-1972); Barry Lord and Gail Dexter's involvement with the Canadian Liberation Movement (1970-1975); the use of surrogates and copies at the Nova Scotia College of Art and Design (1967-1972); and the Eternal Network performance event, Decca Dance, in Los Angeles (1974). Relying heavily on my work in institutional archives, artists' fonds, and research interviews, I establish chronologies and describe events. By the close of my study, in the mid-1970s, the movement of art and ideas was eased between Canada and the United States, anticipating the advent of a globalized art world.
590 $a School code: 0779.
650 4 $a Art history. $3 2122701
650 4 $a Canadian studies. $3 2122858
650 4 $a American studies. $3 2122720
653 $a Art
653 $a Borders
653 $a Canada
653 $a Transnational
653 $a United States
653 $a Greenberg, Clement
653 $a Smith, Brydon
653 $a Wieland, Joyce
653 $a Canadian Liberation Movement
653 $a Lord, Barry
653 $a Dexter, Gail
653 $a Bush, Jack
653 $a Curnoe, Greg
690 $a 0377
690 $a 0385
690 $a 0323
710 2 $a University of Toronto (Canada). $b History of Art. $3 3280178
773 0 $t Dissertations Abstracts International $g 81-04A.
790 $a 0779
791 $a Ph.D.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10976856