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Consonance: A Computer Generated Com...
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Freire-Neto, Joaquim Ribeiro.
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Consonance: A Computer Generated Composition.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Consonance: A Computer Generated Composition./
Author:
Freire-Neto, Joaquim Ribeiro.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2017,
Description:
35 p.
Notes:
Source: Dissertations Abstracts International, Volume: 79-03, Section: A.
Contained By:
Dissertations Abstracts International79-03A.
Subject:
Musical composition. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10289462
ISBN:
9780355122916
Consonance: A Computer Generated Composition.
Freire-Neto, Joaquim Ribeiro.
Consonance: A Computer Generated Composition.
- Ann Arbor : ProQuest Dissertations & Theses, 2017 - 35 p.
Source: Dissertations Abstracts International, Volume: 79-03, Section: A.
Thesis (D.M.A.)--University of Washington, 2017.
This item must not be added to any third party search indexes.
Consonance is a computer generated composition using Csound not only to construct the instruments but also to explore some of its innumerous possibilities to modeling timbres, dynamics, spacialization and reverberation. The sound events were done using blue, a time track environment for Csound and python scripts inside blue. The process of producing the piece had part of its source of inspiration from scales and tuning used by inhabitant people of the Northeastern Brazilian countryside and part from the author`s conceptual method of composing music directly related with sound produced from the environment. A supplementary file (Consonance) in WAV format is part of this dissertation. It is the output of a computer generated Csound score built in blue.
ISBN: 9780355122916Subjects--Topical Terms:
3289630
Musical composition.
Subjects--Index Terms:
Algorithmic music composition
Consonance: A Computer Generated Composition.
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Consonance is a computer generated composition using Csound not only to construct the instruments but also to explore some of its innumerous possibilities to modeling timbres, dynamics, spacialization and reverberation. The sound events were done using blue, a time track environment for Csound and python scripts inside blue. The process of producing the piece had part of its source of inspiration from scales and tuning used by inhabitant people of the Northeastern Brazilian countryside and part from the author`s conceptual method of composing music directly related with sound produced from the environment. A supplementary file (Consonance) in WAV format is part of this dissertation. It is the output of a computer generated Csound score built in blue.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10289462
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