東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

No Doors: A Personal Exploration of ...

McCaman, Sharon.

Linked to FindBook

Google Book

Amazon

博客來

No Doors: A Personal Exploration of Movement and Technology.

Record Type:	Electronic resources : Monograph/item
Title/Author:	No Doors: A Personal Exploration of Movement and Technology./
Author:	McCaman, Sharon.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	101 p.
Notes:	Source: Masters Abstracts International, Volume: 79-11.
Contained By:	Masters Abstracts International79-11.
Subject:	Fine arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10809856
ISBN:	9780355931839

No Doors: A Personal Exploration of Movement and Technology.
McCaman, Sharon.

No Doors: A Personal Exploration of Movement and Technology. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 101 p.

Source: Masters Abstracts International, Volume: 79-11.

Thesis (M.F.A.)--Arizona State University, 2018.

This item must not be sold to any third party vendors.

No Doors: A Personal Exploration of Movement and Technology, details the interdisciplinary strategies that were used in the making of a series of interactive/reactive/immersive (IRI) installations that drew audiences into an experience and encouraged active observation and/or participation. The interdisciplinary IRI installations described in this document combined movement, sculpture, production design, and various forms of media and technology with environments in which participants had agency. In the process of developing this work, the artist considered several concepts and practices: site-specific, various technologies, real-time processing, participant experience, embodied exploration, and hidden activity. Throughout the creative process, the researcher conducted a series of four focus labs in which a small audience was invited to engage with the work as a way of gathering data about the effectiveness of the installations in facilitating active audience observation and/or participation. The data collected after each focus lab informed the revision of the work in preparation for the next focus lab, with the ultimate result being the production of a final exhibition of five interdisciplinary IRI installations. The installations detailed in this document were loosely based on five elements: water, fire, air, earth, and spirit.

ISBN: 9780355931839Subjects--Topical Terms:

2122690
Fine arts.
Subjects--Index Terms:

Embodiment

No Doors: A Personal Exploration of Movement and Technology.
LDR:02594nmm a2200409 4500 001 2265705
005 20200526090831.5
008 220629s2018 ||||||||||||||||| ||eng d
020 $a 9780355931839
035 $a (MiAaPQ)AAI10809856
035 $a (MiAaPQ)asu:17890
035 $a AAI10809856
040 $a MiAaPQ $c MiAaPQ
100 1 $a McCaman, Sharon. $3 3542880
245 1 0 $a No Doors: A Personal Exploration of Movement and Technology.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 101 p.
500 $a Source: Masters Abstracts International, Volume: 79-11.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Schupp, Karen.
502 $a Thesis (M.F.A.)--Arizona State University, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a No Doors: A Personal Exploration of Movement and Technology, details the interdisciplinary strategies that were used in the making of a series of interactive/reactive/immersive (IRI) installations that drew audiences into an experience and encouraged active observation and/or participation. The interdisciplinary IRI installations described in this document combined movement, sculpture, production design, and various forms of media and technology with environments in which participants had agency. In the process of developing this work, the artist considered several concepts and practices: site-specific, various technologies, real-time processing, participant experience, embodied exploration, and hidden activity. Throughout the creative process, the researcher conducted a series of four focus labs in which a small audience was invited to engage with the work as a way of gathering data about the effectiveness of the installations in facilitating active audience observation and/or participation. The data collected after each focus lab informed the revision of the work in preparation for the next focus lab, with the ultimate result being the production of a final exhibition of five interdisciplinary IRI installations. The installations detailed in this document were loosely based on five elements: water, fire, air, earth, and spirit.
590 $a School code: 0010.
650 4 $a Fine arts. $3 2122690
650 4 $a Dance. $3 610547
650 4 $a Design. $3 518875
653 $a Embodiment
653 $a Interactive installation
653 $a Interdisciplinary
653 $a Real-time processing
653 $a Site-specific
653 $a Technology
690 $a 0357
690 $a 0378
690 $a 0389
710 2 $a Arizona State University. $b Dance. $3 2100353
773 0 $t Masters Abstracts International $g 79-11.
790 $a 0010
791 $a M.F.A.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10809856