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Re-examining Taiwanese Fiction in th...

Ho, Ka Chun.

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Re-examining Taiwanese Fiction in the Era of Post-Martial Law through Cross-strait Literary Interactions: Zhang Dachun, Shi Shuqing and Zhu Tianxin as foci.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Re-examining Taiwanese Fiction in the Era of Post-Martial Law through Cross-strait Literary Interactions: Zhang Dachun, Shi Shuqing and Zhu Tianxin as foci./
Author:	Ho, Ka Chun.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
Description:	268 p.
Notes:	Source: Dissertations Abstracts International, Volume: 79-09, Section: A.
Contained By:	Dissertations Abstracts International79-09A.
Subject:	Modern literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10757556
ISBN:	9780355598667

Re-examining Taiwanese Fiction in the Era of Post-Martial Law through Cross-strait Literary Interactions: Zhang Dachun, Shi Shuqing and Zhu Tianxin as foci.
Ho, Ka Chun.

Re-examining Taiwanese Fiction in the Era of Post-Martial Law through Cross-strait Literary Interactions: Zhang Dachun, Shi Shuqing and Zhu Tianxin as foci. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 268 p.

Source: Dissertations Abstracts International, Volume: 79-09, Section: A.

Thesis (Ph.D.)--The Chinese University of Hong Kong (Hong Kong), 2017.

This item is not available from ProQuest Dissertations & Theses.

From 1949 to 1987, Kuomintang imposed the ban on modern and contemporary Mainland Chinese Literature. Literary critics hence considered that the ties between modern and contemporary Chinese and Post-War Taiwanese Literature were severed. When examining Taiwanese fiction in the post-martial law era, scholars often then focused on the introduction of Western literary criticism such as post-modernism and post-colonialism and neglected the intertwined literary interactions and exchanges across the Strait. This thesis proposes that the continued interactions between Mainland Chinese and Taiwanese Literature should be taken into consideration so as to fully grapple with the thoughts and content of Taiwanese fiction after the lifting of martial law. The underground interactions allowed the introduction of Mainland Chinese Literature dated back to the martial law period. After the lifting of martial law, editors and writers of Taiwan literary magazines introduced numerous Mainland Chinese literary works of the same period, and even invited Mainland Chinese writers to visit Taiwan for participating in cultural events, in the hope of understanding and referencing their creative experiences under the massive influence of Western literary trends, so as to reflect upon the development of contemporary Taiwanese fiction. In other words, the literary interactions across the Strait exert great and hence non-negligible influence over the development of contemporary Taiwanese fiction. This thesis delineates the history of Cross-Strait literary interactions through the introduction of modern and contemporary Mainland Chinese literature by important Taiwanese literary magazines such as Wenhsun (1983- ) and Unitas: a Literary Monthly (1984- ). This then further analyzes Taiwanese writersf horizon of expectation as the basis to explore the communication between writers across the Strait. This then specifically looks into the interactions between three selected Taiwanese writers and their counterparts in the Mainland China. This is to review important themes in the 1990s in Taiwan such as return to the classics, city writing and history writing. These themes include the dialogues on New Anecdotes Novel (V•M ‹L¬.) between Zhang Dachun (1957- ) and Zhong Acheng (1949- ) to discuss Zhangfs high-profile advocate of return to the classics, the city writing of Zhu Tianxin (1958- ) and Wang Anyi (1954- ) and their criticism of each otherfs works to deliberate on Zhu Tianxinfs writing strategy of city as the theme, and the discussions on Root-seeking Fiction (qª¬.) between Shi Shuqing (1945- ), Han Shaogong (1953- ) and other writers to re-examine the breakthroughs and limits of Shi Shuqingfs Roman-fleuve.

ISBN: 9780355598667Subjects--Topical Terms:

2122750
Modern literature.

Re-examining Taiwanese Fiction in the Era of Post-Martial Law through Cross-strait Literary Interactions: Zhang Dachun, Shi Shuqing and Zhu Tianxin as foci.
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100 1 $a Ho, Ka Chun. $3 3542557
245 1 0 $a Re-examining Taiwanese Fiction in the Era of Post-Martial Law through Cross-strait Literary Interactions: Zhang Dachun, Shi Shuqing and Zhu Tianxin as foci.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 268 p.
500 $a Source: Dissertations Abstracts International, Volume: 79-09, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Hoyan, Hang Fung Carole.
502 $a Thesis (Ph.D.)--The Chinese University of Hong Kong (Hong Kong), 2017.
506 $a This item is not available from ProQuest Dissertations & Theses.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a From 1949 to 1987, Kuomintang imposed the ban on modern and contemporary Mainland Chinese Literature. Literary critics hence considered that the ties between modern and contemporary Chinese and Post-War Taiwanese Literature were severed. When examining Taiwanese fiction in the post-martial law era, scholars often then focused on the introduction of Western literary criticism such as post-modernism and post-colonialism and neglected the intertwined literary interactions and exchanges across the Strait. This thesis proposes that the continued interactions between Mainland Chinese and Taiwanese Literature should be taken into consideration so as to fully grapple with the thoughts and content of Taiwanese fiction after the lifting of martial law. The underground interactions allowed the introduction of Mainland Chinese Literature dated back to the martial law period. After the lifting of martial law, editors and writers of Taiwan literary magazines introduced numerous Mainland Chinese literary works of the same period, and even invited Mainland Chinese writers to visit Taiwan for participating in cultural events, in the hope of understanding and referencing their creative experiences under the massive influence of Western literary trends, so as to reflect upon the development of contemporary Taiwanese fiction. In other words, the literary interactions across the Strait exert great and hence non-negligible influence over the development of contemporary Taiwanese fiction. This thesis delineates the history of Cross-Strait literary interactions through the introduction of modern and contemporary Mainland Chinese literature by important Taiwanese literary magazines such as Wenhsun (1983- ) and Unitas: a Literary Monthly (1984- ). This then further analyzes Taiwanese writersf horizon of expectation as the basis to explore the communication between writers across the Strait. This then specifically looks into the interactions between three selected Taiwanese writers and their counterparts in the Mainland China. This is to review important themes in the 1990s in Taiwan such as return to the classics, city writing and history writing. These themes include the dialogues on New Anecdotes Novel (V•M ‹L¬.) between Zhang Dachun (1957- ) and Zhong Acheng (1949- ) to discuss Zhangfs high-profile advocate of return to the classics, the city writing of Zhu Tianxin (1958- ) and Wang Anyi (1954- ) and their criticism of each otherfs works to deliberate on Zhu Tianxinfs writing strategy of city as the theme, and the discussions on Root-seeking Fiction (qª¬.) between Shi Shuqing (1945- ), Han Shaogong (1953- ) and other writers to re-examine the breakthroughs and limits of Shi Shuqingfs Roman-fleuve.
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