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Reframing Borders: A Study of the Ve...

Alwazzan, Maryam A. M. A.

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Reframing Borders: A Study of the Veil, Writing, and Representation of the Female Body in the Photo-Based Artwork of Mona Hatoum, Shirin Neshat, and Lalla Essaydi.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Reframing Borders: A Study of the Veil, Writing, and Representation of the Female Body in the Photo-Based Artwork of Mona Hatoum, Shirin Neshat, and Lalla Essaydi./
Author:	Alwazzan, Maryam A. M. A.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	94 p.
Notes:	Source: Masters Abstracts International, Volume: 80-08.
Contained By:	Masters Abstracts International80-08.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13420057
ISBN:	9780438883079

Reframing Borders: A Study of the Veil, Writing, and Representation of the Female Body in the Photo-Based Artwork of Mona Hatoum, Shirin Neshat, and Lalla Essaydi.
Alwazzan, Maryam A. M. A.

Reframing Borders: A Study of the Veil, Writing, and Representation of the Female Body in the Photo-Based Artwork of Mona Hatoum, Shirin Neshat, and Lalla Essaydi. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 94 p.

Source: Masters Abstracts International, Volume: 80-08.

Thesis (M.A.)--University of Oregon, 2018.

This item must not be sold to any third party vendors.

For a long time, most women believed they had to choose between their Muslim or Arab identity and their belief in social equality of sexes. It was almost impossible to choose between either betraying their religious beliefs or their desires for social, political and economic justice, up until an upsurge of a feminist sentiment started to grow among women who were seeking to reclaim the Islamic paradigm and the Quran for themselves in the late nineteenth century (Bardan, 2005). During that time, contemporary female artists from the Arab and Muslim worlds started to create their own tools in their fight against oppressive patriarchal societies in order to express their feminine powers and renegotiate their identities. In this thesis, I analyze the feminist tools used in paradigmatic photo-based artworks by three contemporary female artists from the Arab and Muslim worlds: Mona Hatoum, Shirin Neshat, and Lalla Essaydi.

ISBN: 9780438883079Subjects--Topical Terms:

2122701
Art history.

Reframing Borders: A Study of the Veil, Writing, and Representation of the Female Body in the Photo-Based Artwork of Mona Hatoum, Shirin Neshat, and Lalla Essaydi.
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300 $a 94 p.
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502 $a Thesis (M.A.)--University of Oregon, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a For a long time, most women believed they had to choose between their Muslim or Arab identity and their belief in social equality of sexes. It was almost impossible to choose between either betraying their religious beliefs or their desires for social, political and economic justice, up until an upsurge of a feminist sentiment started to grow among women who were seeking to reclaim the Islamic paradigm and the Quran for themselves in the late nineteenth century (Bardan, 2005). During that time, contemporary female artists from the Arab and Muslim worlds started to create their own tools in their fight against oppressive patriarchal societies in order to express their feminine powers and renegotiate their identities. In this thesis, I analyze the feminist tools used in paradigmatic photo-based artworks by three contemporary female artists from the Arab and Muslim worlds: Mona Hatoum, Shirin Neshat, and Lalla Essaydi.
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