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Shakespeare and costume in practice

Escolme, Bridget.

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Shakespeare and costume in practice

Record Type:	Electronic resources : Monograph/item
Title/Author:	Shakespeare and costume in practice/ by Bridget Escolme.
Author:	Escolme, Bridget.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xi, 215 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Chapter One: Introduction -- 2. Chapter Two: Hamlet, Mourning and the Disappearing Costume: Inky Cloaks and Solemn Black -- 3. Chapter Three: Much Ado About Nothing, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace -- 4. Chapter Four: The Post-Colonial Tempest: Costume and Race -- 5. Chapter Five: Conclusion: Practitioner Interviews.
Contained By:	Springer Nature eBook
Subject:	Clothing and dress in literature. -
Online resource:	https://doi.org/10.1007/978-3-030-57149-8
ISBN:	9783030571498

Shakespeare and costume in practice
Escolme, Bridget.

Shakespeare and costume in practice[electronic resource] /by Bridget Escolme. - Cham :Springer International Publishing :2020. - xi, 215 p. :ill., digital ;24 cm. - Shakespeare in practice. - Shakespeare in practice..

1. Chapter One: Introduction -- 2. Chapter Two: Hamlet, Mourning and the Disappearing Costume: Inky Cloaks and Solemn Black -- 3. Chapter Three: Much Ado About Nothing, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace -- 4. Chapter Four: The Post-Colonial Tempest: Costume and Race -- 5. Chapter Five: Conclusion: Practitioner Interviews.

What is the role of costume in Shakespeare production? Shakespeare and Costume in Practiceargues that costume design choices are central not only to the creation of period setting and the actor's work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre - and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.

ISBN: 9783030571498

Standard No.: 10.1007/978-3-030-57149-8doiSubjects--Personal Names:

523005
Shakespeare, William,
1564-1616--Criticism and interpretation.Subjects--Topical Terms:

739410
Clothing and dress in literature.

LC Class. No.: PR2976 / .E83 2020

Dewey Class. No.: 822.33

Shakespeare and costume in practice
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245 1 0 $a Shakespeare and costume in practice $h [electronic resource] / $c by Bridget Escolme.
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300 $a xi, 215 p. : $b ill., digital ; $c 24 cm.
490 1 $a Shakespeare in practice
505 0 $a 1. Chapter One: Introduction -- 2. Chapter Two: Hamlet, Mourning and the Disappearing Costume: Inky Cloaks and Solemn Black -- 3. Chapter Three: Much Ado About Nothing, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace -- 4. Chapter Four: The Post-Colonial Tempest: Costume and Race -- 5. Chapter Five: Conclusion: Practitioner Interviews.
520 $a What is the role of costume in Shakespeare production? Shakespeare and Costume in Practiceargues that costume design choices are central not only to the creation of period setting and the actor's work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre - and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.
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