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Empathetic memorials = the other des...

Callaghan, Mark.

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Empathetic memorials = the other designs for the Berlin Holocaust Memorial /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Empathetic memorials/ by Mark Callaghan.
Reminder of title:	the other designs for the Berlin Holocaust Memorial /
Author:	Callaghan, Mark.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xiv, 259 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Who is the the memorial for? -- 3. Issues of representation -- 4. Different ways of understanding individual victims: names, photographs and the void -- 5. Designs that attempt to resist the completion of memory -- 6. Conclusion.
Contained By:	Springer Nature eBook
Subject:	Holocaust memorials - Case studies. - Germany -
Online resource:	https://doi.org/10.1007/978-3-030-50932-3
ISBN:	9783030509323

Empathetic memorials = the other designs for the Berlin Holocaust Memorial /
Callaghan, Mark.

Empathetic memorialsthe other designs for the Berlin Holocaust Memorial /[electronic resource] :by Mark Callaghan. - Cham :Springer International Publishing :2020. - xiv, 259 p. :ill., digital ;24 cm. - Palgrave Macmillan memory studies,2634-6257. - Palgrave Macmillan memory studies..

1. Introduction -- 2. Who is the the memorial for? -- 3. Issues of representation -- 4. Different ways of understanding individual victims: names, photographs and the void -- 5. Designs that attempt to resist the completion of memory -- 6. Conclusion.

This book is a study of the Berlin Holocaust Memorial Competitions of the 1990s, with a focus on designs that kindle empathetic responses. Through analysis of provocative designs, the book engages with issues of empathy, secondary witnessing, and depictions of concentration camp iconography. It explores the relationship between empathy and cultural memory when representations of suffering are notably absent. The book submits that one design represents the idea of an uncanny memorial, and also pays attention to viewer co-authorship in counter-monuments. Analysis of counter-monuments also include their creative engagement with German history and their determination to defy fascist aesthetics. As the winning design for The Memorial to the Murdered Jews of Europe is abstract with an information centre, there is an exploration of the memorial museum. Callaghan asks whether this configuration is intended to compensate for the abstract memorial's ambiguity or to complement the design's visceral potential. Other debates explored concern political memory, national memory, and the controversy of dedicating the memorial exclusively to murdered Jews.

ISBN: 9783030509323

Standard No.: 10.1007/978-3-030-50932-3doiSubjects--Topical Terms:

3527969
Holocaust memorials
--Germany--Case studies.

LC Class. No.: D804.175.B47 / C355 2020

Dewey Class. No.: 940.5318640943155

Empathetic memorials = the other designs for the Berlin Holocaust Memorial /
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505 0 $a 1. Introduction -- 2. Who is the the memorial for? -- 3. Issues of representation -- 4. Different ways of understanding individual victims: names, photographs and the void -- 5. Designs that attempt to resist the completion of memory -- 6. Conclusion.
520 $a This book is a study of the Berlin Holocaust Memorial Competitions of the 1990s, with a focus on designs that kindle empathetic responses. Through analysis of provocative designs, the book engages with issues of empathy, secondary witnessing, and depictions of concentration camp iconography. It explores the relationship between empathy and cultural memory when representations of suffering are notably absent. The book submits that one design represents the idea of an uncanny memorial, and also pays attention to viewer co-authorship in counter-monuments. Analysis of counter-monuments also include their creative engagement with German history and their determination to defy fascist aesthetics. As the winning design for The Memorial to the Murdered Jews of Europe is abstract with an information centre, there is an exploration of the memorial museum. Callaghan asks whether this configuration is intended to compensate for the abstract memorial's ambiguity or to complement the design's visceral potential. Other debates explored concern political memory, national memory, and the controversy of dedicating the memorial exclusively to murdered Jews.
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