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Dance in contested land = new interc...

Swain, Rachael.

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Dance in contested land = new intercultural dramaturgies /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Dance in contested land/ by Rachael Swain.
Reminder of title:	new intercultural dramaturgies /
Author:	Swain, Rachael.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xxv, 157 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Chapter One: Introduction -- 2. Chapter Two: The Dramaturgies of Listening to Country -- 3. Chapter Three: Gudirr Gudirr-Culturally Situated Neo-Expressionism -- 4. Chapter Four: Cut the Sky-Dramaturgies to disrupt the Anthropocene.
Contained By:	Springer Nature eBook
Subject:	Dance - Political aspects - Australia -
Subject:	Australia - Race relations. -
Online resource:	https://doi.org/10.1007/978-3-030-46551-3
ISBN:	9783030465513

Dance in contested land = new intercultural dramaturgies /
Swain, Rachael.

Dance in contested landnew intercultural dramaturgies /[electronic resource] :by Rachael Swain. - Cham :Springer International Publishing :2020. - xxv, 157 p. :ill., digital ;24 cm. - New world choreographies,2730-9266. - New world choreographies..

1. Chapter One: Introduction -- 2. Chapter Two: The Dramaturgies of Listening to Country -- 3. Chapter Three: Gudirr Gudirr-Culturally Situated Neo-Expressionism -- 4. Chapter Four: Cut the Sky-Dramaturgies to disrupt the Anthropocene.

This book traces an engagement between intercultural dance company Marrugeku and unceded lands of the Yawuru, Bunuba, and Nyikina in the north west of Australia. In the face of colonial legacies and extractive capitalism, it examines how Indigenous ontologies bring ecological thought to dance through an entangled web of attachments to people, species, geologies, political histories, and land. Following choreographic interactions across the multiple subject positions of Indigenous, settler, and European artists during a period of intense choreographic development for the company between 2012-2016 the book closely examines projects such as Yawuru/Bardi dancer and choreographer Dalisa Pigram's solo Gudirr Gudirr (2013) and the multimedia work Cut the Sky (2015) Dance in Contested Land reveals how emergent intercultural dramaturgies can mediate dance and land to revision and reorientate kinetics, emotion, and responsibilities through sites of Indigenous resurgence and experimentation.

ISBN: 9783030465513

Standard No.: 10.1007/978-3-030-46551-3doiSubjects--Corporate Names:

3527028
Marrugeku (Dance Company)
Subjects--Topical Terms:

3527029
Dance
--Political aspects--AustraliaSubjects--Geographical Terms:

743538
Australia
--Race relations.

LC Class. No.: GV1716.W47 / S93 2020

Dewey Class. No.: 792.8099414

Dance in contested land = new intercultural dramaturgies /
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505 0 $a 1. Chapter One: Introduction -- 2. Chapter Two: The Dramaturgies of Listening to Country -- 3. Chapter Three: Gudirr Gudirr-Culturally Situated Neo-Expressionism -- 4. Chapter Four: Cut the Sky-Dramaturgies to disrupt the Anthropocene.
520 $a This book traces an engagement between intercultural dance company Marrugeku and unceded lands of the Yawuru, Bunuba, and Nyikina in the north west of Australia. In the face of colonial legacies and extractive capitalism, it examines how Indigenous ontologies bring ecological thought to dance through an entangled web of attachments to people, species, geologies, political histories, and land. Following choreographic interactions across the multiple subject positions of Indigenous, settler, and European artists during a period of intense choreographic development for the company between 2012-2016 the book closely examines projects such as Yawuru/Bardi dancer and choreographer Dalisa Pigram's solo Gudirr Gudirr (2013) and the multimedia work Cut the Sky (2015) Dance in Contested Land reveals how emergent intercultural dramaturgies can mediate dance and land to revision and reorientate kinetics, emotion, and responsibilities through sites of Indigenous resurgence and experimentation.
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