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The economic logic of Chinese cultur...

Yuan Yuan, Vivian.

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The economic logic of Chinese cultural-creative industries parks = Shenzhen and Guangzhou /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The economic logic of Chinese cultural-creative industries parks/ by Vivian Yuan Yuan.
Reminder of title:	Shenzhen and Guangzhou /
Author:	Yuan Yuan, Vivian.
Published:	Singapore :Springer Singapore : : 2020.,
Description:	xi, 296 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Correlated Concepts and Theory Developments -- 3. Research Methodology -- 4. The Case Study on the Business Model of OCT-LOFT -- 5. The Case Study on the Business Model of 289 Art Park -- 6. Comparison of the Two Cases -- 7. Research Implications and Conclusions.
Contained By:	Springer eBooks
Subject:	Cultural industries - China. -
Online resource:	https://doi.org/10.1007/978-981-15-3540-6
ISBN:	9789811535406

The economic logic of Chinese cultural-creative industries parks = Shenzhen and Guangzhou /
Yuan Yuan, Vivian.

The economic logic of Chinese cultural-creative industries parksShenzhen and Guangzhou /[electronic resource] :by Vivian Yuan Yuan. - Singapore :Springer Singapore :2020. - xi, 296 p. :ill., digital ;24 cm.

1. Introduction -- 2. Correlated Concepts and Theory Developments -- 3. Research Methodology -- 4. The Case Study on the Business Model of OCT-LOFT -- 5. The Case Study on the Business Model of 289 Art Park -- 6. Comparison of the Two Cases -- 7. Research Implications and Conclusions.

This book is a novel and inspiring research work on creative industry clusters in China. Seldom has literature on CCIPs dealt with the detailed economic logic and operational methods of a CCIP. The author not only does a detailed comparison of two business models of Cultural-Creative Industries Parks (CCIPs) using classic qualitative methodology through two case studies, Shenzhen OCT-LOFT as a "Culture Highland" model and Guangzhou 289 Art Park as a "Modular System" model, but also proposes a practical 4C model as the business framework for CCIPs. This book will be of interest to urbanists, scholars of the culture economy, creative industries and China scholars. Vivian Yuan Yuan, Ph. D., is an Associate Researcher with the Culture Research Center of Shenzhen, China, and a part-time Assistant Professor at the Graduate Institute of Creative Industries Management, Shih Chien Unviercity, Taipei. Her research focuses on creative cities, creative industries management, culture policy and Chinese film.

ISBN: 9789811535406

Standard No.: 10.1007/978-981-15-3540-6doiSubjects--Topical Terms:

1052255
Cultural industries
--China.

LC Class. No.: HD9999.C9473 / Y836 2020

Dewey Class. No.: 384.31

The economic logic of Chinese cultural-creative industries parks = Shenzhen and Guangzhou /
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505 0 $a 1. Introduction -- 2. Correlated Concepts and Theory Developments -- 3. Research Methodology -- 4. The Case Study on the Business Model of OCT-LOFT -- 5. The Case Study on the Business Model of 289 Art Park -- 6. Comparison of the Two Cases -- 7. Research Implications and Conclusions.
520 $a This book is a novel and inspiring research work on creative industry clusters in China. Seldom has literature on CCIPs dealt with the detailed economic logic and operational methods of a CCIP. The author not only does a detailed comparison of two business models of Cultural-Creative Industries Parks (CCIPs) using classic qualitative methodology through two case studies, Shenzhen OCT-LOFT as a "Culture Highland" model and Guangzhou 289 Art Park as a "Modular System" model, but also proposes a practical 4C model as the business framework for CCIPs. This book will be of interest to urbanists, scholars of the culture economy, creative industries and China scholars. Vivian Yuan Yuan, Ph. D., is an Associate Researcher with the Culture Research Center of Shenzhen, China, and a part-time Assistant Professor at the Graduate Institute of Creative Industries Management, Shih Chien Unviercity, Taipei. Her research focuses on creative cities, creative industries management, culture policy and Chinese film.
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