東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Musical entanglements between German...

Germany

Linked to FindBook

Google Book

Amazon

博客來

Musical entanglements between Germany and East Asia = transnational affinity in the 20th and 21st centuries /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Musical entanglements between Germany and East Asia/ edited by Joanne Miyang Cho.
Reminder of title:	transnational affinity in the 20th and 21st centuries /
other author:	Cho, Joanne Miyang.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	xix, 303 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: The Idea of Entanglement, Historiography, and Organization -- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students -- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer -- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong -- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945 -- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors -- Chapter 5: The "Oriental" Utopia: Postwar Orientalism and Ferruccio Busoni's Opera Turandot -- Chapter 6: Reimagining China in Interwar German Opera: Eugen d'Albert's Mister Wu and Ernst Toch's Der Facher -- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949 -- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power -- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers -- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity -- Chapter 10: When "Japanese" Music Became "Modern" Music: The Internationale Ferienkurse für Neue Musik as Intercultural Agency -- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art -- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers.
Contained By:	Springer Nature eBook
Subject:	Music - German influences. - East Asia -
Subject:	Germany - Relations - East Asia. -
Online resource:	https://doi.org/10.1007/978-3-030-78209-2
ISBN:	9783030782092

Musical entanglements between Germany and East Asia = transnational affinity in the 20th and 21st centuries /
Musical entanglements between Germany and East Asiatransnational affinity in the 20th and 21st centuries /[electronic resource] :edited by Joanne Miyang Cho. - Cham :Springer International Publishing :2021. - xix, 303 p. :ill., digital ;24 cm. - Palgrave series in Asian German studies,2731-5665. - Palgrave series in Asian German studies..

Chapter 1: The Idea of Entanglement, Historiography, and Organization -- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students -- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer -- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong -- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945 -- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors -- Chapter 5: The "Oriental" Utopia: Postwar Orientalism and Ferruccio Busoni's Opera Turandot -- Chapter 6: Reimagining China in Interwar German Opera: Eugen d'Albert's Mister Wu and Ernst Toch's Der Facher -- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949 -- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power -- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers -- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity -- Chapter 10: When "Japanese" Music Became "Modern" Music: The Internationale Ferienkurse für Neue Musik as Intercultural Agency -- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art -- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers.

This edited volume explores musical encounters and entanglements between Germany and East Asian nations from 1900 to the present. In so doing, it speaks to their dynamic and multi-faceted musical relations in multiple ways. Despite East Asia and Germany being located at opposite ends of the globe, German music has found remarkably fertile soil in East Asia. East Asians have enthusiastically adopted it, while at the same time adding their own musical interpretations. These musical encounters have produced compositions that reflect this mutual influence, stimulating and enriching each other through their entanglement. After more than a century of entanglement, Germany and East Asia have become kindred musical spirits.

ISBN: 9783030782092

Standard No.: 10.1007/978-3-030-78209-2doiSubjects--Topical Terms:

3522104
Music
--German influences.--East AsiaSubjects--Geographical Terms:

3522102
Germany
--Relations--East Asia.

LC Class. No.: ML330.5 / .M87 2021

Dewey Class. No.: 780.95

Musical entanglements between Germany and East Asia = transnational affinity in the 20th and 21st centuries /
LDR:03308nmm a2200337 a 4500 001 2253689
003 DE-He213
005 20211012031808.0
006 m d
007 cr nn 008maaau
008 220327s2021 sz s 0 eng d
020 $a 9783030782092 $q (electronic bk.)
020 $a 9783030782085 $q (paper)
024 7 $a 10.1007/978-3-030-78209-2 $2 doi
035 $a 978-3-030-78209-2
040 $a GP $c GP
041 0 $a eng
050 4 $a ML330.5 $b .M87 2021
072 7 $a HBJD $2 bicssc
072 7 $a HIS010000 $2 bisacsh
072 7 $a NHD $2 thema
082 0 4 $a 780.95 $2 23
090 $a ML330.5 $b .M987 2021
245 0 0 $a Musical entanglements between Germany and East Asia $h [electronic resource] : $b transnational affinity in the 20th and 21st centuries / $c edited by Joanne Miyang Cho.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a xix, 303 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave series in Asian German studies, $x 2731-5665
505 0 $a Chapter 1: The Idea of Entanglement, Historiography, and Organization -- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students -- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer -- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong -- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945 -- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors -- Chapter 5: The "Oriental" Utopia: Postwar Orientalism and Ferruccio Busoni's Opera Turandot -- Chapter 6: Reimagining China in Interwar German Opera: Eugen d'Albert's Mister Wu and Ernst Toch's Der Facher -- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949 -- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power -- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers -- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity -- Chapter 10: When "Japanese" Music Became "Modern" Music: The Internationale Ferienkurse für Neue Musik as Intercultural Agency -- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art -- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers.
520 $a This edited volume explores musical encounters and entanglements between Germany and East Asian nations from 1900 to the present. In so doing, it speaks to their dynamic and multi-faceted musical relations in multiple ways. Despite East Asia and Germany being located at opposite ends of the globe, German music has found remarkably fertile soil in East Asia. East Asians have enthusiastically adopted it, while at the same time adding their own musical interpretations. These musical encounters have produced compositions that reflect this mutual influence, stimulating and enriching each other through their entanglement. After more than a century of entanglement, Germany and East Asia have become kindred musical spirits.
650 0 $a Music $z East Asia $x German influences. $3 3522104
650 0 $a Music $z East Asia $y 20th century $x History and criticism. $3 599676
650 1 4 $a History of Germany and Central Europe. $3 2195211
650 2 4 $a Asian History. $3 2088436
650 2 4 $a Cultural History. $3 2186830
650 2 4 $a World History, Global and Transnational History. $3 2181976
651 0 $a Germany $x Relations $z East Asia. $3 3522102
651 0 $a East Asia $x Relations $z Germany. $3 3522103
700 1 $a Cho, Joanne Miyang. $3 3219657
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave series in Asian German studies. $3 3219659
856 4 0 $u https://doi.org/10.1007/978-3-030-78209-2
950 $a History (SpringerNature-41172)