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Making worlds = affect and collectiv...

Breger, Claudia.

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Making worlds = affect and collectivity in contemporary European cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Making worlds/ Claudia Breger.
Reminder of title:	affect and collectivity in contemporary European cinema /
remainder title:	Affect and collectivity in contemporary European cinema
Author:	Breger, Claudia.
Published:	New York, NY :Columbia University Press, : c2020.,
Description:	1 online resource.
Subject:	Affect (Psychology) in motion pictures. -
Online resource:	http://www.degruyter.com/isbn/9780231550697
ISBN:	9780231550697

Making worlds = affect and collectivity in contemporary European cinema /
Breger, Claudia.

Making worldsaffect and collectivity in contemporary European cinema /[electronic resource] :Affect and collectivity in contemporary European cinemaClaudia Breger. - 1st ed. - New York, NY :Columbia University Press,c2020. - 1 online resource.

Includes bibliographical references (p. 293-324), filmography (p. 293-296), and index.

Frontmatter --

The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends. Breger offers nuanced readings of major contemporary films such as Michael Haneke's The White Ribbon, Alejandro González Iñárritu's Biutiful, Fatih Akın's The Edge of Heaven, Asghar Farhadi's A Separation, and Aki Kaurismäki's refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others' present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred.

ISBN: 9780231550697

Standard No.: 10.7312/breg19148doi

LCCN: 2019035717Subjects--Topical Terms:

3518920
Affect (Psychology) in motion pictures.

LC Class. No.: PN1995.9.P6 / B74 2020eb

Dewey Class. No.: 791.43/658

Making worlds = affect and collectivity in contemporary European cinema /
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505 0 0 $t Frontmatter -- $t Contents -- $t Introduction -- $t CHAPTER ONE. Affects in Configuration -- $t CHAPTER TWO. Critical Intensity -- $t CHAPTER THREE. Genre Assemblages -- $t CHAPTER FOUR. Tenderly Cruel Realisms -- $t Epilogue:Reconfiguring Resistance -- $t Acknowledgments -- $t Notes -- $t Bibliography -- $t Index.
520 $a The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends. Breger offers nuanced readings of major contemporary films such as Michael Haneke's The White Ribbon, Alejandro González Iñárritu's Biutiful, Fatih Akın's The Edge of Heaven, Asghar Farhadi's A Separation, and Aki Kaurismäki's refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others' present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred.
588 0 $a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021)
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856 4 0 $u http://www.degruyter.com/isbn/9780231550697