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Towards a digital epistemology = aes...

Ingvarsson, Jonas.

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Towards a digital epistemology = aesthetics and modes of thought in early modernity and the present age /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Towards a digital epistemology/ by Jonas Ingvarsson.
Reminder of title:	aesthetics and modes of thought in early modernity and the present age /
Author:	Ingvarsson, Jonas.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	xvi, 136 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Digital Epistemology - An Introduction -- 2. CCC Vs WWW: Digital Epistemology and Literary Text -- 3. Evoking McLuhan's Juxtapositions in the Digital Age: Archaeology and the Mosaic -- 4. "Books are Machines": Materiality and Agency from the 1960s to the 2010s -- 5. Towards a 21st Century Pedagogy for the Humanities.
Contained By:	Springer Nature eBook
Subject:	Digital humanities. -
Online resource:	https://doi.org/10.1007/978-3-030-78724-0
ISBN:	9783030787240

Towards a digital epistemology = aesthetics and modes of thought in early modernity and the present age /
Ingvarsson, Jonas.

Towards a digital epistemologyaesthetics and modes of thought in early modernity and the present age /[electronic resource] :by Jonas Ingvarsson. - Second edition. - Cham :Springer International Publishing :2021. - xvi, 136 p. :ill., digital ;24 cm.

1. Digital Epistemology - An Introduction -- 2. CCC Vs WWW: Digital Epistemology and Literary Text -- 3. Evoking McLuhan's Juxtapositions in the Digital Age: Archaeology and the Mosaic -- 4. "Books are Machines": Materiality and Agency from the 1960s to the 2010s -- 5. Towards a 21st Century Pedagogy for the Humanities.

Open access.

This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?

ISBN: 9783030787240

Standard No.: 10.1007/978-3-030-78724-0doiSubjects--Topical Terms:

3166584
Digital humanities.

LC Class. No.: AZ105 / .I4413 2021

Dewey Class. No.: 001.0285

Towards a digital epistemology = aesthetics and modes of thought in early modernity and the present age /
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300 $a xvi, 136 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Digital Epistemology - An Introduction -- 2. CCC Vs WWW: Digital Epistemology and Literary Text -- 3. Evoking McLuhan's Juxtapositions in the Digital Age: Archaeology and the Mosaic -- 4. "Books are Machines": Materiality and Agency from the 1960s to the 2010s -- 5. Towards a 21st Century Pedagogy for the Humanities.
506 $a Open access.
520 $a This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?
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