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Class on screen = the global work cl...

Attfield, Sarah.

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Class on screen = the global work class in contemporary cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Class on screen/ by Sarah Attfield.
Reminder of title:	the global work class in contemporary cinema /
Author:	Attfield, Sarah.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	ix, 213 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: Introduction -- Chapter 2: Work and Unemployment -- Chapter 3: Working-Class Culture -- Chapter 4: Immigration and Diaspora -- Chapter 5: Gender and Sexualities -- Chapter 6: Race and Class in Australian Indigenous Film -- Chapter 7: Afterword.
Contained By:	Springer Nature eBook
Subject:	Working class in motion pictures. -
Online resource:	https://doi.org/10.1007/978-3-030-45901-7
ISBN:	9783030459017

Class on screen = the global work class in contemporary cinema /
Attfield, Sarah.

Class on screenthe global work class in contemporary cinema /[electronic resource] :by Sarah Attfield. - Cham :Springer International Publishing :2020. - ix, 213 p. :ill., digital ;24 cm.

Chapter 1: Introduction -- Chapter 2: Work and Unemployment -- Chapter 3: Working-Class Culture -- Chapter 4: Immigration and Diaspora -- Chapter 5: Gender and Sexualities -- Chapter 6: Race and Class in Australian Indigenous Film -- Chapter 7: Afterword.

This book provides an analysis of the global working class on film and considers the ways in which working-class experience is represented in film around the world. The book argues that representation is important because it shapes the way people understand working-class experience and can either reinforce or challenge stereotypical depictions. Film can shape and shift discussions of class, and this book provides an interdisciplinary study of the ways in which working-class experience is portrayed through this medium. It analyses the impact of contemporary films such as Sorry To Bother You, This is England and Le Harve that focus on working class life. Attfield demonstrates that the global working class are characterised by diversity of race, ethnicity, gender, religion and sexuality but that there are commonalities of experience despite geographical distance and cultural difference. The book is structured around themes such as work, culture, diasporas, gender and sexuality, and race.

ISBN: 9783030459017

Standard No.: 10.1007/978-3-030-45901-7doiSubjects--Topical Terms:

715458
Working class in motion pictures.

LC Class. No.: PN1995.9.L28 / A884 2020

Dewey Class. No.: 791.43652624

Class on screen = the global work class in contemporary cinema /
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245 1 0 $a Class on screen $h [electronic resource] : $b the global work class in contemporary cinema / $c by Sarah Attfield.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a ix, 213 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1: Introduction -- Chapter 2: Work and Unemployment -- Chapter 3: Working-Class Culture -- Chapter 4: Immigration and Diaspora -- Chapter 5: Gender and Sexualities -- Chapter 6: Race and Class in Australian Indigenous Film -- Chapter 7: Afterword.
520 $a This book provides an analysis of the global working class on film and considers the ways in which working-class experience is represented in film around the world. The book argues that representation is important because it shapes the way people understand working-class experience and can either reinforce or challenge stereotypical depictions. Film can shape and shift discussions of class, and this book provides an interdisciplinary study of the ways in which working-class experience is portrayed through this medium. It analyses the impact of contemporary films such as Sorry To Bother You, This is England and Le Harve that focus on working class life. Attfield demonstrates that the global working class are characterised by diversity of race, ethnicity, gender, religion and sexuality but that there are commonalities of experience despite geographical distance and cultural difference. The book is structured around themes such as work, culture, diasporas, gender and sexuality, and race.
650 0 $a Working class in motion pictures. $3 715458
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650 2 4 $a Global Cinema and TV. $3 3383480
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