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Cinematic intermedialities and conte...

Walden, Victoria Grace.

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Cinematic intermedialities and contemporary Holocaust memory

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cinematic intermedialities and contemporary Holocaust memory/ by Victoria Grace Walden.
Author:	Walden, Victoria Grace.
Published:	Cham :Springer International Publishing : : 2019.,
Description:	ix, 217 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue.
Contained By:	Springer Nature eBook
Subject:	Historical films - History and criticism. -
Online resource:	https://doi.org/10.1007/978-3-030-10877-9
ISBN:	9783030108779

Cinematic intermedialities and contemporary Holocaust memory
Walden, Victoria Grace.

Cinematic intermedialities and contemporary Holocaust memory[electronic resource] /by Victoria Grace Walden. - Cham :Springer International Publishing :2019. - ix, 217 p. :ill., digital ;24 cm.

1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue.

This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory.

ISBN: 9783030108779

Standard No.: 10.1007/978-3-030-10877-9doiSubjects--Topical Terms:

583802
Historical films
--History and criticism.

LC Class. No.: PN1995.9.H5 / W35 2019

Dewey Class. No.: 791.43658

Cinematic intermedialities and contemporary Holocaust memory
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245 1 0 $a Cinematic intermedialities and contemporary Holocaust memory $h [electronic resource] / $c by Victoria Grace Walden.
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300 $a ix, 217 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue.
520 $a This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory.
650 0 $a Historical films $x History and criticism. $3 583802
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