東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Towards a philosophy of cinematography

Nevill, Alexander.

Linked to FindBook

Google Book

Amazon

博客來

Towards a philosophy of cinematography

Record Type:	Electronic resources : Monograph/item
Title/Author:	Towards a philosophy of cinematography/ by Alexander Nevill.
Author:	Nevill, Alexander.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	xi, 90 p. :ill., digital ;24 cm.
[NT 15003449]:	Preface -- Introduction -- Exploring Cinematography -- The Impact of Digitality -- Chapter 1: A Brief Philosophy of Light -- Chapter 2: Sculpting Light -- Chapter 3: Understanding Cinematography Technology -- Chapter 4: Exposure Processes -- Conclusion.
Contained By:	Springer Nature eBook
Subject:	Cinematography - Philosophy. -
Online resource:	https://doi.org/10.1007/978-3-030-65935-6
ISBN:	9783030659356

Towards a philosophy of cinematography
Nevill, Alexander.

Towards a philosophy of cinematography[electronic resource] /by Alexander Nevill. - Cham :Springer International Publishing :2021. - xi, 90 p. :ill., digital ;24 cm.

Preface -- Introduction -- Exploring Cinematography -- The Impact of Digitality -- Chapter 1: A Brief Philosophy of Light -- Chapter 2: Sculpting Light -- Chapter 3: Understanding Cinematography Technology -- Chapter 4: Exposure Processes -- Conclusion.

This book presents three interrelated essays about cinematography which offer a theoretical understanding of the ways that film practitioners orchestrate light in today's post-digital context. Cinematography is a practice at the heart of film production which traditionally involves the control of light and camera technologies to creatively capture moving imagery. During recent years, the widespread adoption of digital processes in cinematography has received a good deal of critical attention from practitioners and scholars alike, however little specific consideration about evolving lighting practices can be found amongst this discourse. Drawing on new-materialist ideas, actor-network theory and the concept of co-creativity, these essays examine the impact of changing production processes for the role and responsibilities of a cinematographer with a specific focus on lighting. Each essay advances a new conceptual perspective on the discipline, moving from the notion of light as vision to light as material, from technology as a tool to technology as a network, and from cinematography as an industry to cinematography as a collaborative art.

ISBN: 9783030659356

Standard No.: 10.1007/978-3-030-65935-6doiSubjects--Topical Terms:

3496120
Cinematography
--Philosophy.

LC Class. No.: TR850

Dewey Class. No.: 777.01

Towards a philosophy of cinematography
LDR:02370nmm a2200325 a 4500 001 2240822
003 DE-He213
005 20210601134507.0
006 m d
007 cr nn 008maaau
008 211111s2021 sz s 0 eng d
020 $a 9783030659356 $q (electronic bk.)
020 $a 9783030659349 $q (paper)
024 7 $a 10.1007/978-3-030-65935-6 $2 doi
035 $a 978-3-030-65935-6
040 $a GP $c GP
041 0 $a eng
050 4 $a TR850
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 777.01 $2 23
090 $a TR850 $b .N522 2021
100 1 $a Nevill, Alexander. $3 3496119
245 1 0 $a Towards a philosophy of cinematography $h [electronic resource] / $c by Alexander Nevill.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a xi, 90 p. : $b ill., digital ; $c 24 cm.
505 0 $a Preface -- Introduction -- Exploring Cinematography -- The Impact of Digitality -- Chapter 1: A Brief Philosophy of Light -- Chapter 2: Sculpting Light -- Chapter 3: Understanding Cinematography Technology -- Chapter 4: Exposure Processes -- Conclusion.
520 $a This book presents three interrelated essays about cinematography which offer a theoretical understanding of the ways that film practitioners orchestrate light in today's post-digital context. Cinematography is a practice at the heart of film production which traditionally involves the control of light and camera technologies to creatively capture moving imagery. During recent years, the widespread adoption of digital processes in cinematography has received a good deal of critical attention from practitioners and scholars alike, however little specific consideration about evolving lighting practices can be found amongst this discourse. Drawing on new-materialist ideas, actor-network theory and the concept of co-creativity, these essays examine the impact of changing production processes for the role and responsibilities of a cinematographer with a specific focus on lighting. Each essay advances a new conceptual perspective on the discipline, moving from the notion of light as vision to light as material, from technology as a tool to technology as a network, and from cinematography as an industry to cinematography as a collaborative art.
650 0 $a Cinematography $x Philosophy. $3 3496120
650 0 $a Cinematography $x Lighting. $3 627447
650 1 4 $a Film and TV Production. $3 3383540
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-65935-6
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)