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Heightened genre and women's filmmak...

Harrod, Mary.

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Heightened genre and women's filmmaking in Hollywood = the rise of the cine-fille /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Heightened genre and women's filmmaking in Hollywood/ by Mary Harrod.
Reminder of title:	the rise of the cine-fille /
Author:	Harrod, Mary.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	xiv, 304 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: Little Women and Cine-filles -- 2. Genre as Pastiche in Women's Filmmaking -- 3. Pastiching the Popular -- 4. Art Imitating Life Imitating Art -- 5. Conclusion: Communal Autofiction and Public Subjectivity in The Bling Ring.
Contained By:	Springer Nature eBook
Subject:	Women motion picture producers and directors - United States. -
Online resource:	https://doi.org/10.1007/978-3-030-70994-5
ISBN:	9783030709945

Heightened genre and women's filmmaking in Hollywood = the rise of the cine-fille /
Harrod, Mary.

Heightened genre and women's filmmaking in Hollywoodthe rise of the cine-fille /[electronic resource] :by Mary Harrod. - Cham :Springer International Publishing :2021. - xiv, 304 p. :ill., digital ;24 cm.

1. Introduction: Little Women and Cine-filles -- 2. Genre as Pastiche in Women's Filmmaking -- 3. Pastiching the Popular -- 4. Art Imitating Life Imitating Art -- 5. Conclusion: Communal Autofiction and Public Subjectivity in The Bling Ring.

Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address 'intellectual' cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women's mainstream filmmaking for feminism through a recalibration of genre theory itself.

ISBN: 9783030709945

Standard No.: 10.1007/978-3-030-70994-5doiSubjects--Topical Terms:

1309637
Women motion picture producers and directors
--United States.

LC Class. No.: PN1998.2 / .H37 2021

Dewey Class. No.: 791.43023309252

Heightened genre and women's filmmaking in Hollywood = the rise of the cine-fille /
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505 0 $a 1. Introduction: Little Women and Cine-filles -- 2. Genre as Pastiche in Women's Filmmaking -- 3. Pastiching the Popular -- 4. Art Imitating Life Imitating Art -- 5. Conclusion: Communal Autofiction and Public Subjectivity in The Bling Ring.
520 $a Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address 'intellectual' cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women's mainstream filmmaking for feminism through a recalibration of genre theory itself.
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