東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Misogyny, toxic masculinity, and het...

Fosbraey, Glenn.

Linked to FindBook

Google Book

Amazon

博客來

Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music

Record Type:	Electronic resources : Monograph/item
Title/Author:	Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music/ edited by Glenn Fosbraey, Nicola Puckey.
other author:	Fosbraey, Glenn.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	xiii, 291 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction; Glenn Fosbraey -- 2. How Female is the Future?: Undoing Sexism in Contemporary Metal Music; Coco d'Hont -- 3. The Power of Boy Pussy: The dichotomy between liberation and objectification in Queer Hip-Hop/Rap in the 2000's; Kenneth Norwood -- 4. See the Signs: Justin Timberlake and the Pretence of Romance; Racheal Harris -- 5. The Initiation: Re-negotiating Masculinity in Queer Music Video; Ryann Donnelly -- 6. "All of my life, just like I was one of them": Transitioning punk; Gareth Schott -- 7. Misogyny and Erotic Pleasure in Bollywood's 'Item Numbers'; Suman Mishra -- 8. "Let it Enfold You": Screaming, Masculinity, and the Loss of Emotional Control in Post-Millennium Emo; Ryan J. Mack -- 9. Should real love hurt? The eroticisation of dominance, submission and coercive control in contemporary pop music; Natasha Mulvihill -- 10. Lady Lazarus: the death (and rebirth) of a gender revolutionary; Alec Charles -- 11. Immortal Technique and the Radical Reimagining of Masculinity on the Street; Heather Stewart -- 12. From pimpology to pimpologia: a comparative analysis of pimp rap in the United States and Italy; Margherita Angelucci and Wissal Houbabi -- 13. Nicki Minaj: Ownership, control, and responsibility?; Glenn Fosbraey.
Contained By:	Springer Nature eBook
Subject:	Popular music - History and criticism. - 2001-2010 -
Online resource:	https://doi.org/10.1007/978-3-030-65189-3
ISBN:	9783030651893

Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music
Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music[electronic resource] /edited by Glenn Fosbraey, Nicola Puckey. - Cham :Springer International Publishing :2021. - xiii, 291 p. :ill., digital ;24 cm. - Palgrave studies in (re)presenting gender,2662-9364. - Palgrave studies in (re)presenting gender..

1. Introduction; Glenn Fosbraey -- 2. How Female is the Future?: Undoing Sexism in Contemporary Metal Music; Coco d'Hont -- 3. The Power of Boy Pussy: The dichotomy between liberation and objectification in Queer Hip-Hop/Rap in the 2000's; Kenneth Norwood -- 4. See the Signs: Justin Timberlake and the Pretence of Romance; Racheal Harris -- 5. The Initiation: Re-negotiating Masculinity in Queer Music Video; Ryann Donnelly -- 6. "All of my life, just like I was one of them": Transitioning punk; Gareth Schott -- 7. Misogyny and Erotic Pleasure in Bollywood's 'Item Numbers'; Suman Mishra -- 8. "Let it Enfold You": Screaming, Masculinity, and the Loss of Emotional Control in Post-Millennium Emo; Ryan J. Mack -- 9. Should real love hurt? The eroticisation of dominance, submission and coercive control in contemporary pop music; Natasha Mulvihill -- 10. Lady Lazarus: the death (and rebirth) of a gender revolutionary; Alec Charles -- 11. Immortal Technique and the Radical Reimagining of Masculinity on the Street; Heather Stewart -- 12. From pimpology to pimpologia: a comparative analysis of pimp rap in the United States and Italy; Margherita Angelucci and Wissal Houbabi -- 13. Nicki Minaj: Ownership, control, and responsibility?; Glenn Fosbraey.

This book presents chapters that have been brought together to consider the multitude of ways that post-2000 popular music impacts on our cultures and experiences. The focus is on misogyny, toxic masculinity, and heteronormativity. The authors of the chapters consider these three concepts in a wide range of popular music styles and genres; they analyse and evaluate how the concepts are maintained and normalized, challenged, and rejected. The interconnected nature of these concepts is also woven throughout the book. The book also seeks to expand the idea of popular music as understood by many in the West to include popular music genres from outside western Europe and North America that are often ignored (for example, Bollywood and Italian hip hop), and to bring in music genres that are inarguably popular, but also sit under other labels such as rap, metal, and punk. Glenn Fosbraey is the Head of English, Creative Writing, and American Studies at The University of Winchester, UK, and specialises in the academic study of song lyrics. He has published a number of chapters and articles on the subject and co-wrote Writing Song Lyrics: Creative and Critical Approaches (2019) Nicola Puckey is a Senior Lecturer in English Language, English Linguistics, and Forensic Linguistics at The University of Winchester, UK. Her specialisms include language, gender and sexuality, and music as a form of discourse.

ISBN: 9783030651893

Standard No.: 10.1007/978-3-030-65189-3doiSubjects--Topical Terms:

3404170
Popular music
--History and criticism.--2001-2010

LC Class. No.: M1630.18 / .M576 2021

Dewey Class. No.: 781.64086

Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music
LDR:03789nmm a2200337 a 4500 001 2239267
003 DE-He213
005 20210714154301.0
006 m d
007 cr nn 008maaau
008 211111s2021 sz s 0 eng d
020 $a 9783030651893 $q (electronic bk.)
020 $a 9783030651886 $q (paper)
024 7 $a 10.1007/978-3-030-65189-3 $2 doi
035 $a 978-3-030-65189-3
040 $a GP $c GP
041 0 $a eng
050 4 $a M1630.18 $b .M576 2021
072 7 $a JFC $2 bicssc
072 7 $a SOC032000 $2 bisacsh
072 7 $a JBCC $2 thema
082 0 4 $a 781.64086 $2 23
090 $a M1630.18 $b .M678 2021
245 0 0 $a Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music $h [electronic resource] / $c edited by Glenn Fosbraey, Nicola Puckey.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a xiii, 291 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in (re)presenting gender, $x 2662-9364
505 0 $a 1. Introduction; Glenn Fosbraey -- 2. How Female is the Future?: Undoing Sexism in Contemporary Metal Music; Coco d'Hont -- 3. The Power of Boy Pussy: The dichotomy between liberation and objectification in Queer Hip-Hop/Rap in the 2000's; Kenneth Norwood -- 4. See the Signs: Justin Timberlake and the Pretence of Romance; Racheal Harris -- 5. The Initiation: Re-negotiating Masculinity in Queer Music Video; Ryann Donnelly -- 6. "All of my life, just like I was one of them": Transitioning punk; Gareth Schott -- 7. Misogyny and Erotic Pleasure in Bollywood's 'Item Numbers'; Suman Mishra -- 8. "Let it Enfold You": Screaming, Masculinity, and the Loss of Emotional Control in Post-Millennium Emo; Ryan J. Mack -- 9. Should real love hurt? The eroticisation of dominance, submission and coercive control in contemporary pop music; Natasha Mulvihill -- 10. Lady Lazarus: the death (and rebirth) of a gender revolutionary; Alec Charles -- 11. Immortal Technique and the Radical Reimagining of Masculinity on the Street; Heather Stewart -- 12. From pimpology to pimpologia: a comparative analysis of pimp rap in the United States and Italy; Margherita Angelucci and Wissal Houbabi -- 13. Nicki Minaj: Ownership, control, and responsibility?; Glenn Fosbraey.
520 $a This book presents chapters that have been brought together to consider the multitude of ways that post-2000 popular music impacts on our cultures and experiences. The focus is on misogyny, toxic masculinity, and heteronormativity. The authors of the chapters consider these three concepts in a wide range of popular music styles and genres; they analyse and evaluate how the concepts are maintained and normalized, challenged, and rejected. The interconnected nature of these concepts is also woven throughout the book. The book also seeks to expand the idea of popular music as understood by many in the West to include popular music genres from outside western Europe and North America that are often ignored (for example, Bollywood and Italian hip hop), and to bring in music genres that are inarguably popular, but also sit under other labels such as rap, metal, and punk. Glenn Fosbraey is the Head of English, Creative Writing, and American Studies at The University of Winchester, UK, and specialises in the academic study of song lyrics. He has published a number of chapters and articles on the subject and co-wrote Writing Song Lyrics: Creative and Critical Approaches (2019) Nicola Puckey is a Senior Lecturer in English Language, English Linguistics, and Forensic Linguistics at The University of Winchester, UK. Her specialisms include language, gender and sexuality, and music as a form of discourse.
650 0 $a Popular music $y 2001-2010 $x History and criticism. $3 3404170
650 0 $a Popular music $y 2011-2020 $x History and criticism. $3 3404171
650 0 $a Popular music $x Social aspects. $3 590716
650 0 $a Misogyny in music. $3 3493141
650 0 $a Gender identity in music. $3 590894
650 0 $a Masculinity in music. $3 3493142
650 1 4 $a Culture and Gender. $3 3210058
650 2 4 $a Music. $3 516178
650 2 4 $a Popular Culture. $3 3201027
650 2 4 $a Celebrity Studies. $3 3409196
650 2 4 $a Gender and Sexuality. $3 3227856
700 1 $a Fosbraey, Glenn. $3 3493138
700 1 $a Puckey, Nicola. $3 3493139
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in (re)presenting gender. $3 3493140
856 4 0 $u https://doi.org/10.1007/978-3-030-65189-3
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)